Bring Me Your Midnight(82)
I’m amazed at his honesty, how open he is about hating my coven and our way of life. It’s difficult to listen to, but I know that central belief is what informs everything else. He tells me it didn’t bother him to use me at first, but then he fell in love with me, and even though his intentions were cruel in the beginning, he never lied to me about his feelings.
He says that every look, every touch, every word was real. He tells me I surprised him, that my connection to high magic—that’s what it’s called—is unlike anything he’s ever seen. He tells me that I challenged him to look at the world a different way and to consider the strength in my kind of magic, in sacrificing so much to gain security.
I can tell he doesn’t believe it’s the right choice, that he would never give up that part of himself for any amount of luxury or protection. But he says meeting me forced him to look at our magic in a new light.
He talks about the currents and how irresponsible my mother is being, how my coven is willingly destroying the island. He says it will come back to harm us in irreparable ways if we don’t do something soon, and I nod along with his words because I know they’re true. I feel it every time I’m in the sea, and I wonder if this was something we bonded over. He tells me about the moonflowers and the lie I’ve been told my whole life, and I can’t help it when tears form in my eyes. It feels as if the wind has been knocked out of me, and I wonder how I will ever look at my mother the same way.
“The moonflowers,” I start, remembering the painting I saw with Landon. “I don’t understand. I saw a painting on the mainland that depicted witches being tortured with them; it was hundreds of years old. How far back does this lie go?”
Wolfe shakes his head. “If you’re thinking of Pruitt’s work, that’s not what the painting shows; it just happens to fit into the lie well. When the witches moved from the mainland to the island, it didn’t ease tensions the way they had hoped. The mainlanders became more and more aggressive, and it all culminated in a raid on the island during which they uprooted every single moonflower they could find. The painting you saw depicts the witches trying to save the flowers.”
“So the mainlanders know the truth about the flowers?”
“They used to,” Wolfe says. “But the new coven has been stunningly effective at rewriting history, and over the years, they too began to believe that moonflowers were poisonous.”
I stare out at the water, completely shocked. I think of the painting, and my eyes burn with the truth of what Wolfe has said. I don’t know what to say because nothing feels big enough, so I stay quiet.
Wolfe begins to speak again. I try to set my pain aside, try to fully hear each word he says because it matters. It matters to me so much.
His voice gets lower, rougher, when he tells me about kissing me. He says I kissed him first, and that when I did, he knew he’d give up anything, everything, if it meant being able to kiss me again. We kissed in the ocean, on the floor in his room, under the light of the moon. We offered up parts of ourselves we’d never offered anyone else, trading touches as if they were secrets.
He talks for a long time. He lets me see his anger and frustration and sadness, overwhelming me with his vulnerability. The way he speaks is guarded, and yet he shares everything with me.
I believe it all, every single word.
He’s harsh, unpolished and severe, and I’m completely captivated by it. By him.
I still don’t remember the things he tells me. I reach for them desperately, searching for any echo of remembrance, but I find nothing. It’s almost as if he’s reading me a novel about a boy named Wolfe and girl named Tana, one that weaves its way inside me with every sentence. I would read it over and over again.
He reaches the end of the story and stops speaking, and I don’t think I’ve ever been more disappointed. I wish there was more.
I watch him, willing him to keep talking, but he’s quiet.
“You’re staring at me again,” he finally says. “That seems to be a habit of yours.” His voice is stony and impassive.
“It’s hard not to,” I admit, but for some reason, I’m not embarrassed. “You’re beautiful. Have I told you that before?”
He swallows hard and blinks several times. “No.”
We’re quiet for a long time, watching the waves as they roll up the shore. I feel a pull toward him, strong and real, wholly undeniable.
Maybe there’s a part of me that remembers after all.
“How did you get here? It looked as if you just appeared in the water.” It sounds so trivial after all he’s shared, but everything else feels too big to touch.
“What?”
“Why did you arrive in the water?”
He shakes his head. He knows it’s a weak question. “Because it’s part of the deal we have with your mother. We can live on the island, but our home is hidden by magic, and we are only allowed to use the streets of the Witchery once a month when we need supplies. Even then, we have to use a perception spell. Using the currents is our way around that.”
“Clever,” I say, even though it hurts to hear about another lie my mother has told me my entire life. Not only did she know of the old coven’s existence, but she’s also spoken with them. Set rules for them.
“What now?” he asks, keeping his eyes on the shore. I hear the hope in his voice, the way it lightens his words.