Love Interest(55)

I consider this. “Yes and no,” I say, twiddling my thumbs. “I mean, yes, part of me wants to go specifically there because she was from there. But in a broader sense, I just … I just have this urge to drop everything and go. I’ve spent a lot of my life scared of change—I mean, I’ve never traveled anywhere except the Florida Panhandle and one trip out west in an RV—and then, I moved to New York, which was objectively terrifying, and I could have crashed and burned. But instead, my whole world opened up, and I just crave that feeling now. I want more of it. I can’t just settle anymore, not now that I know there’s another option. And London makes sense because Little Cooper has a branch there, which means I could afford to live abroad, and I think working for Take Me There would be the coolest. So, really, it just seems like a job and a life that’s been waiting for me to want it.”

When I’m finished talking, slightly winded, retroactively disentangling the absolute word vomit I just expelled, Alex’s lips are pulled up faintly into the ghost of a smile. “Those are all really great reasons.”

“Have you been? To London?”

“I studied abroad there for a summer.”

I roll my eyes. “Of course you did. I should have known.”

He laughs. “How’d you wind up majoring in finance?”

I cock my head, trying to keep up with his train of thought. “What?”

“It’s just that after hearing all that, I don’t see your parents pushing you toward it.”

“Fluke.” I shrug. “I meant to circle printmaking on my college applications.”

He throws me a look.

“I’m good with numbers, that’s why.”

“But do you like it?”

“Yes.” I start fiddling with my nails. “I know it’s dorky and, like, also kind of masochistic when you take Finance Bro Culture into account—”

“Sorry, I’m not—I’m not judging you, I promise.” His voice is soft. “I was just wondering.”

But comments like that—no matter how offhanded or meaningless they’re supposed to come across—are why I always feel so wrong, wrong, wrong.

When I first started at LC, there was this guy named Wilfred Honeycutt. He studied at Columbia, majored in finance, and absolutely loathed his job. Then he got famous on TikTok with food-based splatter art—his true passion—and started making enough money from sponsorships to quit.

“You’ll get out of here, too, someday” was the last thing Wilfred Honeycutt ever said to me—a twenty-two-year-old who’d just upheaved her whole life to pursue the thing he was running from. Wilfred said it like I was in hell, even though I’d never thought of it that way, and ever since, part of me has been trying to get out of the hell he told me I was in. Maybe it’s this industry, stuffed to the brink with writers and designers who are, honestly, obsessed with using “creative” as a noun, but maybe it’s also just that people are snobs, because I know Miriam deals with it, too: Why would you want to only be a nurse? Even Wilfred’s parents forced him to major in something practical like finance, when all along, he just wanted to crush up berries and splatter it on canvas.

I slip off the bed. “I’m going to water the flowers.”

“Oh—thanks.” Alex follows me to the sink, then out to the balcony as I pour water from a cup into the lip of the planter. “You should do this in the morning, if you can remember,” I say quietly. “That’s the best time of day to water flowers because the soil is cool from the night before and the plants can absorb it best.”

“I, too, am thirsty in the morning. How do you know all this stuff?”

“My stepdad is a florist,” I say. “It was our big bonding activity when I was a kid.”

I recall this one day when I was eleven. I was sitting outside on our front porch steps, rubbing Pirate’s belly. The sound of the musical chords Dad was plucking at random—testing out the tone of a new song—drifted toward me from inside, but the memory’s vision is trained on Jerry, knee-deep in our flower beds.

I’d met Miriam that fall of fifth grade, and together, the two of us were growing into our personalities. We’d both gotten cut from the soccer team after spending all of tryouts screaming at the flying ball and laughing at each other. Miriam decided to do our middle school’s dance program, but that had sounded as anxiety-inducing as reliving the talent show that wasn’t.

Instead, I’d opted for an after-school volunteer club. We did everything from park cleanups to elementary school math tutoring, and I was actually enjoying it. But the more I figured out what activities I liked, the less time I had to practice guitar with Dad. Miriam said she was trying to turn me into a joiner, but I still felt guilty. Mostly because the older I got, the more I realized that music was just something Dad had lent to me. It was never going to belong to me the way it belonged to him.

“How does he make songs out of nothing?” I asked Jerry, frustrated. “I’ve heard him do it a million times, and it still doesn’t make sense to me. I’d just end up copying someone.”

“Well,” Jerry said, yanking up a weed, “it’s not really from nothing. There are chords that are already known, and it’s just about making up a new order for them to go in.”