The Prisoner's Throne (The Stolen Heir Duology, #2)(48)
No, no, no. Oak is wild with panic. He can swim, but certainly not well enough to haul both of them out.
All around him, there’s fighting. The fleeing merrow is cut down. The Ghost slashes at another enormous tentacle, battling to save one of the fallen falcons. Three more tentacles curl around the prow. From everywhere, there are cries. From some places, screams.
Oak wants to scream, too. If Tiernan dies, it will be because of Oak.
This is why he never wanted a bodyguard. This is why he should never have been given one.
The prince loosens a rope from a cleat, wrapping one end around his waist and knotting it there. Once tied, the prince gives a hard tug to test whether it can bear his weight.
He looks into the waves. This close, he can see shapes moving in the deep.
He sucks in a breath and prepares to join them when a crack of lightning draws his attention back to the deck. Fog is rolling toward the ship, along with higher swells.
Bogdana has brought a storm.
Well, that seems completely unhelpful.
Taking another breath, Oak drops himself down, rappelling off the side of the boat. As his hoof hits the water, Hyacinthe surfaces, Tiernan limp in his arms. Oak reaches for him automatically, afraid it’s too late.
“Highness,” Hyacinthe says, relief in his voice. Tiernan’s head lolls against his shoulder.
Waves splash Oak’s face as he grabs hold of his bodyguard. The sky overhead has darkened. He hears a crack of thunder behind him and sees another bright streak of lightning reflecting in Hyacinthe’s eyes.
Tiernan’s body is heavy in his arms. He tries to find a way to hold him securely enough that he won’t slip, tries to find a way to haul them all back up onto the deck.
He lifts himself upward, one-handed. He gets a few inches higher, but it’s slow and he’s not sure his strength will hold.
And then Garrett is there, peering down.
“Hold on,” he calls. “Hold him.”
Swells roll against the side of the ship. The Ghost is stronger than he seems, and yet Oak can see how hard it is to pull them up. As soon as he’s over the gunwale, the prince rolls himself and Tiernan onto the deck. A sailor is already tossing another rope over the side to Hyacinthe.
Tiernan coughs up water, then lies still again.
When Oak looks up, he sees one of the tentacles slide across the deck toward Wren. The wind steals his cry of warning. He tries to rise to his hooves in time, but he is too slow and has no sword anyway. Hyacinthe, just making it over the side, shouts in horror.
Wren lifts her hand. As she does, the skin of Sablecoil peels back from the muscle, the tentacle going limp and shriveled. A horrible shuddering goes through the ship as all the tentacles detach at once. The boards creak.
The last of the merrows disappears beneath the waves, whatever last taunt he may have spoken dying on his lips.
The storm hag, in vulture form, makes a guttural sound as she Bies. The wind rises higher, blowing all around them, as though she is conjuring a shield of rain and wind.
Wren stumbles, reaching for Oak’s arm. He puts it around her waist, holding her upright.
“I killed it.” Already, her skin has a waxy appearance.
He thinks about Bogdana’s story. About how if Wren’s power really works like matches, she keeps taking handfuls of them and setting them alight. “Killing is my thing,” he tells her. “You should get your own thing.”
Her lip quirks. Her gaze seems a little unfocused.
The wind lifts the sail, snapping ropes that were already frayed. The hull of the ship seems to rise above the slap of the waves.
Oak’s gaze goes to Tiernan, still as stone, with Hyacinthe bent over him. To the blood washing the deck. To the wounded falcons and knights and sailors. Then to the purpling cast, not unlike a bruise, creeping over Wren’s pale blue skin.
The ship rises higher. Abruptly, Oak realizes that it’s above the waves. Bogdana has used her storm to make their ship fly.
If she devoured the remains of Mab’s bones, perhaps she really did have a large portion of her old power back. And perhaps she really was first among hags.
Wren leans more heavily against him, the only warning before she collapses. He catches her in time to swing her up into his arms, her head lying against his chest. Her eyes remain open, but they are fever bright, and though she blinks up at him, he’s not sure she sees him.
A few of her guards frown, but not even Straun tries to stop Oak from pushing the door of her room open with one hoof and carrying her inside.
Her sofa and the small table have been tipped over. The rug beneath them is wet, and shards of pottery are scattered over it—the remains of her teapot have joined her broken teacup.
Oak crosses the room and places Wren down gently on her coverlets, her long hair spreading over the pillow. Her deep green eyes are still glassy. He recalls what Hyacinthe said about her power. The more she unmakes, the more she is unmade.
A moment later, her hand comes up, running over his cheek. Her fingers push into his hair, then slip over his nape to his shoulder. He goes very still, afraid that if he moves, it will startle her into pulling back. She has never touched him this way, as though things could be easy between them.
“You must stop,” she says, her voice little more than a whisper. Her expression is fond.
He frowns in puzzlement. Her hand has dipped down to his chest, and even as she speaks, she opens her palm over his heart. He has barely moved. “Stop what?”
Holly Black's Books
- Holly Black
- The Cruel Prince (The Folk of the Air #1)
- Book of Night
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Queen of Nothing (The Folk of the Air #3)
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Wicked King (The Folk of the Air #2)
- The Cruel Prince (The Folk of the Air #1)
- The Golden Tower (Magisterium #5)
- The Silver Mask (Magisterium #4)