The Prisoner's Throne (The Stolen Heir Duology, #2)(54)
The prince wonders if Wren is reminded of the encampment, too, not far from where they currently stand. Wonders if she hates being back here.
Mother Marrow was the one who gave her the magic walnut. Mother Marrow, who keeps a place at Mandrake Market. Who gave Oak the advice that sent him off to the Thistlewitch, who sent him straight to Bogdana, in turn. Passed him from hag to hag, perhaps with a specific plan in mind. A specific version of a shared future.
All his thoughts are disturbing.
“What a clever nut,” says Cardan with a smile. “If you will not stay in the palace, then we have no recourse but to send you refreshments and hope to see you tomorrow.” He gestures toward Oak. “I trust that you don’t also have a cottage in your pocket. Your family is eager to spend some time with you.”
“A moment,” the prince says, turning to Wren.
It’s almost impossible to say anything meaningful to her here, with many eyes on them both, but he can’t leave without promising that he will see her. He needs her to know he’s not abandoning her.
“Tomorrow afternoon?” he says. “I will come and find you.”
She nods once, but her face seems braced for betrayal. He understands that. Here, he has power. If he was going to hurt her, this would be the time to do it. “I really do want to show you the isles. We could go to Mandrake Market. Swim in the Lake of Masks. Picnic on Insear, if you’re feeling up to it.”
“Perhaps,” she says, and lets him take her hand. Even lets him press a kiss to her wrist.
He isn’t sure what to make of the tremble in her fingers as he releases them.
And then Oak is herded toward the palace, with Tiernan behind him and Randalin complaining vociferously to the High King and Queen about the discomforts of the journey.
“You insisted on going north,” Jude reminds the councilor.
As soon as they pass through the doors of the Palace of Elfhame, Oriana embraces Oak, hugging him tightly. “What were you thinking?” she asks, which is so exactly what he expects her to say that it makes him laugh.
“Where’s Madoc?” he asks between being released by his mother and Taryn sweeping him into another hug.
“Probably waiting for us in the war room,” Jude says.
Leander comes up to Oak, demanding to be swung around. He lifts the boy in his arms and whirls, rewarded with the child’s laughter.
Cardan yawns. “I hate the war room.”
Jude rolls her eyes. “He’s probably arguing with Grima Mog’s second-in-command.”
“Well, if there’s an actual fight to watch, that’s different, obviously,” Cardan says. “But if it’s just pushing little wooden people around on maps, I will leave that to Leander.”
At the mention of his name, Leander capers over. “I’m bored and you’re bored,” he says. “Play with me?” It’s half request, half demand.
Cardan touches the top of the child’s head, brushing back his dark coppery hair. “Not now, imp. We have many dull adult things to do.”
Oak wonders if Cardan sees Locke in the boy. Wonders if he sees the child he and Jude do not—and will not anytime soon, it seems—have.
When she turns toward him, Oak holds up a hand to forestall whatever his sister is about to say. “May I speak with Cardan for a moment?”
The High King looks at him with narrowed eyes. “Your sister has precedence, and she would like some time with you.”
At the thought of Jude’s lecture and then the lectures of all the other family members who took precedence, Oak feels exhausted.
“I haven’t been home in almost two months and am sticky with salt spray,” he says. “I want to take a bath and put on my own clothes and sleep in my own bed before you all start yelling at me.”
Jude snorts. “Pick two.”
“What?”
“You heard me. You can sleep and then have a bath, but I am going to be there the moment you’re done, not caring a bit about your being naked. You can bathe and put on fresh clothes, and see me before you sleep. Or you could sleep and change your garments, no bath, although I admit that’s not my preference.”
He gives her an exasperated look. She smiles back at him. In his mind, she has always been his sister first, but right at that moment it’s impossible to forget that she’s also the Queen of Elfhame.
“Fine,” he says. “Bath and clothes. But I want coffee and not the mushroom kind.”
“Your wish,” she tells him, like the liar she is, “is my command.”
“Explain this to me from the beginning,” Jude says, sitting on a couch in his rooms. Her arms are crossed. On the table beside her is an assortment of pastries, a carafe of coffee, cream so fresh that it is still warm and golden, along with bowls of fruit. Servants keep coming with more food— oatcakes, honey cakes, roasted chestnuts, cheeses with crystals that crunch between his teeth, parsnip tarts glazed in honey and lavender—and he keeps eating it.
“After I left Court, I went to see Wren because I knew she could command Lady Nore,” he begins, distracted by someone putting a cup of hot coffee into his hand. His hair is wet and his body relaxed from soaking in hot water. The abundance that he has taken for granted all his life surrounds him, familiar as his own bed.
“You mean Suren?” Jude demands. “The former child-queen of the Court of Teeth? Whom you call by a cute nickname.”
Holly Black's Books
- Holly Black
- The Cruel Prince (The Folk of the Air #1)
- Book of Night
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Queen of Nothing (The Folk of the Air #3)
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Wicked King (The Folk of the Air #2)
- The Cruel Prince (The Folk of the Air #1)
- The Golden Tower (Magisterium #5)
- The Silver Mask (Magisterium #4)