The Prisoner's Throne (The Stolen Heir Duology, #2)(70)



“We were to meet at the edge of the Crooked Forest,” she tells him, walking with him as he makes his way down one of the paths. “But they will be long gone. This is dangerous, Oak. They are putting themselves at great risk for your benefit.”

He notes that she didn’t say for your sake, although he’s sure that’s how she wants him to take her words. “Wren is powerful,” Oak says, hating himself. “And would be useful.”

“That point has been made to me before,” Lady Elaine says bitterly, and to his surprise. “That you were clever to make this alliance, and having the storm hag with her puts us all in a better position.”

For a moment, he is tempted to explain that Bogdana is never going to be on the side of anyone with his bloodline, but what would be the point? Let her believe anything that will have her accepting Wren and taking him to the rest of the conspirators.

“She will make you unhappy,” Lady Elaine tells him.

“Not all alliances are happy ones,” he says, and takes one of her hands in his.

“But you,” she says, putting her hand to his cheek. “You, who have little experience of sacrifice. Who have always seemed filled with such joy. How will you bear it when that joy is dimmed?”

He laughs outright at her words and then has to think fast to cover up the reason. “See? I can yet be merry. And I shall be merry still, even if wed.”

“Perhaps this plan asks too much of all of us,” Lady Elaine says, and he understands. Her plan, to be by his side, at the very least a sort of ruling consort, would be in shambles were he to marry Wren. If she cannot have that role, then she doesn’t want to risk her neck.

He turns toward her, and a kind of desperation rises in him. If she gives this up, then the conspirators scurry away—rats back into their holes—and he learns nothing.

Oak can fix this. He can use his honey-tongued words on her. He can feel them, sitting on his lips, ready to fall. If he says the right things, if he draws her into his arms, then she will believe in their plan once more. He will be able to convince her that Wren means nothing, that it will be her counsel he heeds once he is on the throne. He can even persuade her to take him to the conspirators, if perhaps not tonight.

But if he does nothing, then she gives up treason. Maybe the plan falls apart, becomes idle discontented conversation and nothing more. Then she will not be shut up in a tower, or cursed into a dove, or executed in a bloody spectacle.

He gives her hand a squeeze. Gives her one last sad smile. Maybe this can be over and everyone can live. “Perhaps you’re right,” he says. “Sadness just doesn’t suit me.”





CHAPTER



19

O

ak wakes with dread in his heart. As he lingers over a coffee-like substance that is made from roasted dandelions and picks at a plate of acorn cakes, his mind spins. His thoughts fly between Wren in his arms, her eyes bright and teeth sharp, kissing him as though they could crawl into each other’s skin—then Lady Elaine and the capsizing of his plans—then circling back to what he learned about the Ghost.

Who gave Oak’s mother poison.

Who gave Oak’s mother poison so that Oak would die.

How could the Ghost look at Oak when, if not for Oriana, if not for sheer luck, he could have been the prince’s murderer?

It galls Oak to think of Taryn and Jude watching him be trained, letting the Ghost clap him on the shoulder or reposition his arm to swing a sword.

Somehow, it’s Taryn’s betrayal that strikes Oak the most sharply. Jude has always been constrained by position and politics while Madoc has been constrained by his nature. Oak thought of Taryn as the kind-hearted one, the one who wanted a gentler world.

Maybe she just wanted an easier one.

Oak kicks one hoof against the low table, sending the coffeepot and the tray it was sitting on crashing to the floor, crockery smashing, cakes going everywhere. He kicks it again, splintering a wooden leg and causing the whole thing to collapse.

If his mother came in, she would frown, call him childish or petulant. Summon servants to clean up. Ignore any reason he may have for his anger.

That’s what his family does. Ignores everything uncomfortable. Talks around betrayals and murders. Papers over bloodstains and duels. Brushes all the bones under the rug.

Since he was old enough to really understand why he had to be the one to put the Blood Crown on Cardan’s head or live with Vivi and Heather in the mortal world, away from his parents, Oak wasn’t able to think of his sisters without being aware of the debt he owed them. The sacrifices they made for him. Everything he could never repay. So it is entirely new for him to think of them and be absolutely furious.

Then his thoughts slide back to Wren. To her expression of horror when he told her he loved her. To her warning of the night before, after he kissed her, while she dug her nails into his nape.

He was playing fast and loose back in the Ice Needle Citadel, determined to win her over despite the danger. And then he came up with a desperate plan to avoid a conflict when it was clear that Elfhame considered Wren a dangerous enemy.

When she agreed to come home with him, he thought it might help to be away from the Citadel. Wren was focused on survival for so long—and whatever else you may say about the isles, they are full of wine and song and other lazy indulgences.

But ever since they arrived, she’s been different. Of course, he could just as easily say that she’s been different ever since he confessed his love.

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