The Prisoner's Throne (The Stolen Heir Duology, #2)(79)
“Tell them I will be along presently,” Oak says.
“I’m afraid we’re to escort you—now.”
That explains the twitchiness, then. “And if I don’t comply?”
“We must yet bring you to them,” the elven knight says, looking unhappy about it.
“Well, then,” Oak says, walking to them. He could, perhaps, use his charm to talk the knights out of it, but that seems hardly worth it. Jude would only send more soldiers, and these two would get in undeniable trouble.
The prince carefully does not look in the direction of Jack. Since the kelpie wasn’t mentioned, he doesn’t have to go and will be the safer for it.
Lightning slices across the sky, followed by a crack of thunder. No rain has started yet, though the air is thick with it. The wind is picking up, too, whipping the skirts of the tents. Oak wonders if Bogdana has something to do with this. Certainly, she is in a bad enough mood.
He thinks of Wren again, of the talons biting into her skin. Of her words in the gardens. I’m not safe. You can’t trust me.
There is little for him to do but walk across Insear behind the knights, past where garlands of ferns and wisteria and toadstools have been slung from trees, and musicians are tuning their fiddles, while a few courtiers, arriving unfashionably early, are selecting drinks from a large table, loaded with bottles of all shapes and sizes and colors.
One of the knights pushes aside the Rap of a heavy cream-and-gold tent.
Inside, two thrones sit, although neither is occupied. Jude and Cardan stand with Taryn and Madoc. Cardan has changed into clothes of white and gold while Madoc is in deep red, as though they were opposing suits in a deck of cards. Taryn still wears her hunting clothes, her eyes red and swollen, as though she hasn’t stopped crying until just before this moment. Oriana sits in a corner, entertaining Leander. Oak thinks of his own childhood and how she pulled him away from so many dangerous conversations, hiding them in the back, distracting him with a toy or a sweet.
It was a kindness, he knew. But it made him vulnerable as well.
Three members of the Living Council are in attendance. Fala, the fool; Randalin; and Nihuar, representative of the Seelie Courts. All three of them look grim. Hyacinthe is there, too, sitting on a chair, stony-faced and defiant. Oak can sense the panic he is trying to hide.
Ringed around the tent are guards, none of whom Oak knows. All of whom wear the expressions of people expecting an execution.
“Oak,” Jude says. “Good. Are you ready to talk?”
“Where’s Wren?” he asks.
“What an excellent question,” she says. “I thought perhaps you knew.”
They stare at each other.
“She’s gone?” he asks.
“And Tiernan with her.” Jude nods. “You can see why we have a lot to discuss. Did you arrange her freedom?”
Oak takes a deep breath. There are so many things he should have told her over the years. To tell her now is going to feel like peeling off his own skin. “You may have heard some things about me and the company I was keeping before I went north with Wren. Lady Elaine, for example. My reasons were not what you might suppose. I’m not—”
Outside, there’s a crash and a howl of wind.
“What’s that?” Taryn demands.
Cardan narrows his eyes. “A storm,” he says.
“Brother,” Jude says. “Why did you bring her here? What did she promise you?”
Oak remembers being caught in the rain and thunder of Bogdana’s power, remembers his ragwort steed being torn out from beneath him. This portends disaster.
“When we were on our quest, I tricked Wren,” Oak says. “I kept back information that wasn’t mine to keep.” He cannot help hearing the echo of his own complaint in those words. His family hid things from him the same way he hid things from her.
“And?” Jude frowns.
Oak tries to find the right words. “And she was angry, so she threw me in prison. Which seems extreme, but I was handling it. And then you . . . overreacted.”
“Overreacted?” Jude echoes, clearly incensed.
“I was handling it!” Oak repeats, louder.
There’s movement out of the corner of his eye, and then two bolts fly across the tent toward Jude. Oak hits the floor, pulling his sword from its sheath.
Cardan whips up his cloak in front of Jude—the cloak made by Mother Marrow, the one that was enchanted to turn the blades of weapons. The arrows fall to the ground as though they’ve struck a wall instead of cloth.
A moment later, the High King staggers back, bleeding. A knife juts out from his chest. Falling to his knees, he covers the wound with his hands, as though the blood seeping through his fingers is an embarrassment.
Randalin steps back, smug and satisfied. It’s his dagger in the High King’s chest.
“Put down your weapons,” a soldier shouts unsteadily, taking a step forward. For a moment, Oak isn’t sure whose side they’re on. Then he sees the way they’re standing. Seven soldiers moving closer to the Minister of Keys, two of them the knights who came to Oak’s tent.
Finally, the unfamiliarity of them makes horrible sense. This is a trap.
This is the conspiracy he hoped Lady Elaine would reveal. Had Oak not missed their meeting in the gardens, had he not been so willing to believe that it was over when Lady Elaine herself gave it up, had he not departed on the quest to save his father in the first place, perhaps he could have discovered this. Discovered it and foiled it.
Holly Black's Books
- Holly Black
- The Cruel Prince (The Folk of the Air #1)
- Book of Night
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Queen of Nothing (The Folk of the Air #3)
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Wicked King (The Folk of the Air #2)
- The Cruel Prince (The Folk of the Air #1)
- The Golden Tower (Magisterium #5)
- The Silver Mask (Magisterium #4)