Karen: I was not thinking about it sounding like anything.
Billy: “The Sex”？ No, that wasn’t a part of it.
Graham: It sounded like sex. That was a big part of it.
Billy: We played that show in Philly as The Six and then we got an offer to do another show in town. Another in Harrisburg. Another in Allentown. We got asked to play New Year’s Eve at this bar in Hartford.
We weren’t making much money. But I’d spend my last dollar taking Camila out whenever I was home. We’d go to this pizza joint a few blocks from her parents’ place or I’d borrow money from Graham or Warren to take her out somewhere nice. She always told me to cut it out. She’d say, “If I wanted to be with a rich guy, I wouldn’t have given my number to the singer of a wedding band.”
Camila: Billy had charisma and I fell for all that. I always did. The smoldering, the brooding. A lot of my girlfriends were looking for guys that could afford a nice ring. But I wanted somebody fascinating.
Graham: Around ‘seventy-one, we booked a few shows in New York.
Eddie: New York was … it was how you knew you were somebody.
Graham: One night, we’re playing a bar over in the Bowery and out on the street, smoking a cigarette, is a guy named Rod Reyes.
Rod Reyes （manager, The Six）： Billy Dunne was a rock star. You could just see it. He was very cocksure, knew who to play to in the crowd. There was an emotion that he brought to his stuff.
There’s just a quality that some people have. If you took nine guys, plus Mick Jagger, and you put them in a lineup, someone who had never heard of the Rolling Stones before could still point to Jagger and say, “That’s the rock star.”
Billy had that. And the band had a good sound.
Billy: When Rod came up to us after that show at the Wreckage … that was the watershed moment.
Rod: When I started working with the band, I had some ideas. Some of which were well received and others … not so much.
Graham: Rod told me I needed to cut out half of my solos. Said they were interesting for people that loved technical guitar work but boring for everyone else.
I said, “Why would I play to people who don’t care about good guitar?”
He said, “If you want to be huge, you gotta be for everybody.”
Billy: Rod told me to stop writing about stuff I didn’t know about. He said, “Don’t reinvent the wheel. Write about your girl.” Hands down, best career advice I ever got.
Karen: Rod told me to wear low-cut shirts and I said, “Dream on,” and that was about the end of that.
Eddie: Rod started getting us gigs all over the East Coast. Florida to Canada.
Warren: Let me tell you the sweet spot for being in rock ’n’ roll. People think it’s when you’re at the top but no. That’s when you’ve got the pressure and the expectations. What’s good is when everybody thinks you’re headed somewhere fast, when you’re all potential. Potential is pure fuckin’ joy.
Graham: The longer we were out on the road, the wilder we all got. And Billy wasn’t exactly … Look, Billy liked attention. Especially from women. But, at least at that point, that’s all it was. Just attention.
Billy: It was a lot to balance. Loving somebody back home, being out on the road. Girls were coming backstage and I was the one they wanted to meet. I was … I didn’t know what a relationship was supposed to look like.
Camila: We’d started to get into fights, Billy and I. I will admit I wanted something impractical, back then. I wanted to date a rock star but I wanted him available at all times. I’d get mad when he couldn’t do exactly what I wanted. I was young. So was he.
Sometimes it would get so bad that we’d stop talking for a few days. And then one of us would call the other and apologize and things would go back the way they were. I loved him and I knew he loved me. It wasn’t easy. But as my mother used to remind me, “You’ve never been interested in easy.”
Graham: This one night, Billy and I were back home and getting in the van to head out to Tennessee or Kentucky or somewhere. Camila came to see us off. And when Rod pulled up in the van, Billy was saying goodbye.
He moved the hair out of Camila’s face and put his lips on her forehead. I remember that he didn’t even really kiss her. He just held his lips there. And I thought, I’ve never cared about anyone like that.
Billy: I wrote “Se?ora” for Camila and, let me tell you, people liked that song a lot. Pretty soon, at our best shows, people were getting up out of their seats, starting to dance, singing along.
Camila: I didn’t have the heart to tell him that I was technically a “se?orita.” I mean, choose your battles. Besides, once I listened to it … “Let me carry you/on my back/the road looks long/and the night looks black/but the two of us are bold explorers/me and my gold se?ora.”
I loved it. I loved that song.
Billy: We cut a demo of “Se?ora” and “When the Sun Shines on You.”
Rod: My real contacts were all out in L.A. by then. I said to the band, I think it was maybe ‘seventy-two … I said, “We gotta go out west.”
Eddie: California was where the cool shit was happening, you know what I mean?
Billy: I just thought, There’s something inside me that needs to do this.
Warren: I was ready to go. I said, “Let’s get in the van.”
Billy: I went to Camila’s parents’ house and I sat her down on the edge of her bed. I said, “Do you want to come with us?”
She said, “What would I do?”
I said, “I don’t know.”
She said, “You want me to just follow you around?”
I said, “I guess.”
She took a moment and then she said, “No, thank you.”
I asked her if we could stay together and she said, “Are you coming back?” And I told her I didn’t know.
And she said, “Then, no.” And she dumped me.
Camila: I got mad. That he was leaving. And I blew up at him. I didn’t know how else to handle it.
Karen: Camila called me, before we left on tour. Told me she’d broken up with Billy. I said, “I thought you loved him.”
And she said, “He didn’t even try to fight me on it!”
I said to her, “If you love him, you should tell him.”
And she said, “He’s the one leaving! It’s on him to fix this.”
Camila: Love and pride don’t mix.
Billy: What could I do? She didn’t want to come with me and I … I couldn’t stay.
Graham: We packed up and said goodbye to Mom. She’d married the mailman by then. I mean, I know his name was Dave but until the day he died, I called him the mailman because that’s what he was. He delivered the mail at her office. He was the mailman.
Anyway, we left Mom with the mailman and got in the van.
Karen: We gigged everywhere along the way from Pennsylvania to California.
Billy: Camila made her choice and there was a big part of me that felt like, All right, I’ll be single then. See if she likes that.
Graham: Billy straight up lost his mind on that trip.
Rod: It wasn’t the women I was worried about, with Billy. Although there were a lot of women. But Billy would get so messed up after shows that I’d have to wake him up the next afternoon by slapping him across the face, he was that far gone.