Which Curly was using now.
I have never seen the key used before.
“What’s going on?” I ask.
“I’m taking you to the infirmary.”
“No need,” I say. “I feel fine.”
“Not your call,” Curly says in a near whisper.
“Whose call it is?”
“Ross Sumner has filled out an official complaint.”
“So?”
“So the doctor needs to catalogue your injuries.”
“Now?”
“Why, you busy?”
His words are typically sarcastic, but his voice is tight.
“It’s late,” I say.
“You’ll get your beauty sleep later. Get your ass up.”
Not sure what else to do, I stand. “You mind taking the light out of my eyes?”
“Just move.”
“Why are you whispering?”
“You and Sumner got this place riled up. You think I want to do that again?”
That makes sense, I guess, but again the words ring hollow. Still, what choice do I have? I have to go. I don’t like it, but really, what’s the big deal? I’ll go. I’ll see the doctor. Maybe I’ll smirk at Sumner lying in the bed.
We leave our block and start down the corridor. Distant shouts from the general population bounce off the concrete walls like rubber balls. The lights are dimmed. My footwear is prison-issue canvas slip-ons, but Curly’s shoes are black and echo off the floor. He slows his step. I do the same.
“Keep walking, Burroughs.”
“What?”
“Just keep going.”
He stays half a step behind me. We are alone in this corridor. I sneak a glance behind me. Curly’s face is ashen. His eyes glisten. His bottom lip is quivering. He looks as though he might cry.
“You okay, Curly?”
He doesn’t reply. We pass a checkpoint, but there is no guard here. That’s odd. Curly unlocks the gate with some kind of fob. When we reach the T-intersection, he puts his hand on my elbow and steers me to the right.
“The infirmary is the other way,” I say.
“You have to fill out some forms first.”
We move down another corridor. The sounds of the prison have gone from faint to nonexistent. It is so quiet I can hear Curly’s labored breaths. I don’t know this section of the prison. I’ve never been here before. There are no cells. The doors here are pebble-glassed like shower doors. Philip’s office had a door like this. I assume I’m in some kind of executive area where we will meet up with someone who will help me fill out the paperwork. But there are no lights coming through the pebbled glass. It feels very much as though we are alone.
I notice something else now that I hadn’t before.
Curly is wearing gloves.
They are black latex. Guards rarely wear them. So why now? Why tonight? I am not one who believes you always go with your gut or follow your primitive instincts. They often lead you in the wrong direction. But when you add it up—the gut, the instincts, the hour, the excuse, the gloves, the route, Curly’s attitude, his demeanor—something is definitely off.
A few days ago, I wouldn’t have cared much. But everything has changed now.
“Up ahead,” Curly says. “It’s the last door on the left.”
My heart is thumping in my chest. I look up ahead, at the last door on the left. That too has a pebble-glass door. That one too has no light coming through it.
Not good.
I freeze. Curly stays behind me. He isn’t moving either. I hear a small sound coming from him. I slowly turn. Tears are flowing down his face.
“Are you okay?” I ask.
Then I see the glint of steel.
A blade is heading straight toward my stomach.
There is no time for thought or anything beyond a reaction. I lean my body to one side while hammering down toward the blade with my forearm. The blade veers off course just enough—it misses my right side by no more than an inch. Curly pulls the blade back hard toward him, slicing through the flesh of my forearm. Blood spills, but I don’t feel pain. Not yet anyway.
I leap back. Curly and I are a few feet apart now, both in fight crouches.
Curly is crying. He holds the blade in front of him, like a scene from a poor man’s West Side Story. Sweat coats his face, mixing in with the tears.
“I’m sorry, Burroughs.”
“What are you doing?”
“So sorry.”
He regrips the knife. I’m holding my forearm, trying to stem the blood that’s seeping now through my fingers.
“You don’t have to do this,” I say.
But Curly isn’t listening. He lunges at me. I jump back. There is a rushing sound in my ears. I don’t know what to do. I know nothing about knife fighting.
So I do the simplest thing I can.
“Help!” I scream as loud as I can. “Somebody, help me!”
I don’t rely on that, of course. This is a prison. I’m a prisoner. People are yelling crazy shit in here twenty-four seven. Still, the suddenness of my scream makes Curly pull up. I use that. I turn and sprint down the corridor, back toward where we came from. He chases me.
“Help! He’s trying to kill me! Help!”
I don’t turn around. I don’t know if he’s closing in on me or not. I can’t risk it. I just keep pumping my legs and screaming. But now I’m reaching the end of the corridor, that same checkpoint we had gone through earlier. No one is there.
I ram the gate. Nothing. I try to pull it open.
No go. It’s locked.
Now what?
“Help!”
I glance back over my shoulder now. Curly is closing in. I’m trapped. I turn to face him. I keep screaming for help. He stops. I try to read his face. Confusion, anguish, rage, fear—it is all there. Fear, I know, is always the overwhelming emotion. He is scared. And the only way to not be scared anymore is to silence me.
Whatever led him to this, whatever doubts he may have had, they are no match for his need to survive, to save himself, to worry about his self-interest above all else.
And that means killing me.
I am backed up against the gate with nowhere to go. He is about to lunge for me when a voice from behind me says, “What the fuck is going on here?”
Relief courses through my veins. I am about to turn and explain that Curly here is trying to kill me when I feel something hard smack the back of my head. My knees buckle. Blackness closes in around me.
And then there is nothing.
Chapter
8
Cheryl grabbed a cup of coffee and a section of the morning paper and sat in the breakfast nook across from her husband Ronald. It was six a.m., and this had become her blessed morning routine. She and Ronald wore matching one hundred percent cotton spa robes with thick shawl collars and cuffed sleeves; Ronald had ordered them during a luxurious stay at the Fairmont Princess Hotel in Scottsdale.
Most people had moved on to online papers, but Ronald insisted on going old-school with an actual daily newspaper delivery. He started with the front section while Cheryl preferred reading the business section first. She didn’t know why. She didn’t know much about business, but something about the dynamic read to her like a great soap opera. Today, no matter how hard she tried to focus, there was zero comprehension. The words swam by in meaningless waves. Ronald, who normally offered a running commentary on whatever he was reading—an act she found endearing and annoying in equal measure—was quiet. He was, she knew, studying her. She had not slept well after her sister’s call. He wanted to ask what was wrong, but he would not ask. One of Ronald’s strengths was his wonderful sense of when to pry and when to let it be.