I think of this novel as a story about a story—nesting stories, if you will. I have no desire to ascribe logic, facts, and theory to the world of Narnia. That has been done, and done well, by so many others. There are scholars and academics who’ve spent their lives studying Lewis and the creation of the seven-book series. I’ve read most of these books and I’m beyond grateful for their insight and wisdom.
Yes, in this novel I was, and am, only fascinated by The Lion, the Witch and the Wardrobe and how its world transforms the lives of Megs and George （and a few others along the way during their adventures）。 I’m fascinated by the ways in which Narnia transforms us, how the power of its tale can’t be fully explained no matter how much we want to quantify and list its logical associations.
My editor at Harper Muse, Amanda Bostic, once said to me, “I’ve always believed that if we can find our way to Narnia, we can find our way home.” May it do the same for you.
Discussion Questions
Was The Lion, the Witch and the Wardrobe part of your childhood? Your children’s childhood? When did you first discover the story?
Did you ever wonder, “Where did Narnia come from?”
At the start of the novel, Megs Devonshire doesn’t care much for made-up stories. She’s concerned with math, facts, and figures.
Why do you think her heart changed? Have you felt the same? What stories have changed you?
Megs Devonshire attempts to make a logical list of Narnia facts, and her friend, Padraig, stops her. Why do you think he does
this? What does this mean to you? Would you have stopped her?
George Devonshire is looking for more than facts when he asks about the origin of Narnia. What do you think he is really asking?
What does he really want to know?
If you could ask C. S. Lewis anything about Narnia, what would it be? Did his stories answer any of those questions for you?
In Patti’s author’s note she states, “What I’ve set out to do is show that an author’s life （and reading） might inform a story
in some ways, and yet there are also large swaths of story-source that are altogether imaginative, mysterious, and transcendent.”
Do you believe that to be true about stories? About Narnia?
What means the most to you about The Lion, the Witch and the Wardrobe?
Patti deliberately kept this novel in 1950, which is the year that The Lion, the Witch and the Wardrobe was released, keeping the story to just the first novel in the Narnia series. If you have read all of the books, do you have a favorite?
As you read about the seven events in Lewis’s life, which one do you think contributed the most to Narnia? Where do you see
these events in his life in the pages of The Lion, the Witch and the Wardrobe?
Megs, Padraig, and George went on an adventure. What struck you the most in those scenes? Why was it important that they went
on this adventure?
How did you feel about the ending of the story? Would you change it if you could? Was it what you expected?
Megs moves between two family homes in the course of the novel—the Devonshire’s cottage that is her family place, and the
Lewis brothers’ home. Both give her a feeling of ease, contentment, safety, and security as she enters from the winter cold
outside. What is it that makes these places feel so soft and rounded? What is it that defines home—rather than just a house—for
you?
Patti opens the novel with a quote from C. S. Lewis: “Sometimes fairy stories may say best what’s to be said.” Have you found
that to be true? Why do you think it is or isn’t?
When Jack is living with the Kirkpatricks, the thing he most longs to hear from his tutor are the words, “I hear you.” Why
does knowing that someone hears you matter? How does it change you?
Was there a scene in this story that was particularly meaningful to you? Which one was it?
George tells Megs, “I think the lion follows all of us around. We just have to look for him.” Do you agree with George? If
so, have you ever seen the lion?
C. S. Lewis endured many hardships in his life, as did George and Megs. How did each of them respond? What do you think might
have been different in each of their lives if they had different experiences, or if they had responded differently?
Padraig tells Megs, “I can’t really understand my life without stories.” Do you agree? What stories have best helped you make
sense of your own life?
Acknowledgments
This novel, just as many others and possibly more than any other, does not belong to just me. It would not and could not have been written without so many other authors, scholars, and artists before me. Most notably, of course, C. S. Lewis who wrote The Lion, the Witch and the Wardrobe, therein capturing our collective imaginations for generations.
My gratitude extends far and wide, backward through the years and into now. Let me start with Lewis, of course. When he sat down to write this novel in 1939, he began the tale and then set it aside for many years. Thank you, C. S. Lewis, for picking it back up, for pouring your imagination and heart into this story and into the land of Narnia.
There are many books I read and studied for this novel, and I want to thank the scholars who penned them: Christin Ditchfield Lazo, Rowan Williams, Joseph Pierce, David C. Downing, and Paul F. Ford. To Diana Glyer, whose work on the Inklings allowed me to write that part of the novel with care. The work of Dr. Crystal Hurd on Lewis’s parents, childhood, and early life set me wondering what his family life had been like and how it might have influenced a book he began more than thirty years later. To Dr. Don W. King—your work on Lewis and his life influenced the way I see him as both human and vulnerable. I am grateful to you!
I want to thank the kind souls who gave this an early read and said, “Whoa there, you went off course here and here and here.” Or as Andrew Lazo might say, “There’s a howler.” This book would not be what it is without Dr. David Downing, Dr. Crystal Downing, Andrew Lazo, and Christin Dietrich Lazo. I am humbled by your generosity and kindness.
The profound work of Max McLean of Fellowship for Performing Arts helped me see C. S. Lewis through clearer eyes, and from those eyes I started to see the pieces of Lewis’s life that have influenced Narnia.
To Amanda Bostic—you have journeyed with me from the start and you have been the greatest advocate, friend, and coconspirator. Your strength and your wisdom have carried us through so many stories both on and off the page, and I am profoundly grateful.
To Marly Rusoff, who took this story to Amanda and was its champion.
To my Friends & Fiction cohort who listen and cheer and keep me straight and sane, who understand that story is one of the most important things in our life—Mary Kay Andrews （Kathy Trocheck）， Kristin Harmel, Kristy Woodson Harvey, and Mary Alice Monroe. You are my trusted allies.
To Paula McLain, Beth Howard, Ariel Lawhon, J. T. Ellison, and Signe Pike, who listened to the whispered idea at its genesis and didn’t say, “That’s nuts,” but instead said, “Go finish that book.”
To Dana Isaacson, who read the pages and helped me understand where this story might be going and why. A book whisperer they call him, and it’s very true. And a good friend—that’s true also.
To Meg Walker of Tandem Literary, my friend, marketing guru and wizard, you are the calm in the storm, and what would I do without you? I do not want to know. And to Judy Collins, webmaster and newsletter genius—I can never say thank you enough. You don’t miss a beat.