Chapter 10
Fenton’s phone pinged and a moment later there was a knock at the door. She whispered, “Pizza.” I moved along the side of the bed where I’d be out of sight. I heard Fenton open the door and thank the delivery guy. Then she grabbed a towel from the bathroom, spread it on the bed like a tablecloth, and set down the giant square box.
We ate in silence. When we were finished I asked, “You said Dendoncker inspects the bodies. Where? At the scene? Or does he have them taken someplace?”
“He always does it at the morgue. He likes the bodies properly laid out and examined. The whole nine yards.”
“Is the ME on his payroll?”
“I don’t know. Could be, I guess.”
“That means to pull this thing off we need to clear three hurdles. To convince Dendoncker that one of us is a threat to him. To make him believe that person was killed. And to persuade the ME to cooperate. That’s a big ask.”
“I came to the same conclusion.” Fenton brushed a crumb from her chin. “I was thinking about it while we were eating. It is a big ask. But it’s not impossible. And I have a way we can do one and two, if you play the role of the dead guy.”
“How?”
“OK. First hurdle. Make Dendoncker believe you’re a threat. That’s easy. All you have to do is play the part of Mickey. Dendoncker’s already sold. He sent two guys to ambush him. Those guys didn’t come back so Dendoncker must be doubly convinced that Mickey’s a problem by now.”
I said nothing.
“Second hurdle. Make Dendoncker believe you’re dead. That’s harder, but still achievable. We do it by setting up another rendezvous with Mickey, which I will attend on Dendoncker’s behalf. Then—”
“How do we set it up?”
“The foundations are already in place. Dendoncker must have gotten his hands on my note because he used the email address on it. But he didn’t know I sent it or there would have been no need for the first rendezvous. He would have sent his guys straight after me. So, I’ll write another note. The handwriting will be the same, which will seal the deal.”
“Another note saying what?”
“That no one showed up today, so let’s try again.”
“He’ll know that’s not true. At the least he thinks his guys are missing. And if he has ears inside the police department he’ll know they’re dead.”
“Of course he’ll know. But that’s not the point. He won’t care if Mickey is lying to him. All he’ll want to do is eliminate the threat he represents as quickly and cleanly as possible. What’s he going to do? Leave Mickey out there, free to come at him whenever he wants, because he didn’t tell the truth? No. He’ll jump at the chance to take him out. He’ll agree to the rendezvous, and pull a double cross. Again.”
“Say you’re right. Say he agrees. Then what? He sends another couple of guys? Maybe more?”
“No. In the note I’ll say Mickey knows he’s not communicating with Michael. But he’s willing to pay ten thousand dollars for information about Michael’s whereabouts. And he will only deal with me.”
“How will you get the note to Dendoncker?”
“I’ll give it to his deputy. I’ll ask to meet him. Tell him I was approached by a guy outside the Red Roan. I’ll describe you. That’ll be plausible because they must assume the last note was brought to Michael by Renée, since she’s gone missing. And if they bite, they’ll offer another rendezvous. We’ll both show up. And I’ll shoot you. At least that’s what I’ll report to Dendoncker.”
I thought for a moment. “There’s a big risk for you if they don’t buy it.”
“I don’t think so.” Fenton counted off on her fingers. “The scenario, with someone getting one of Dendoncker’s crew to carry a note? A match. The handwriting on the note? A match. The email address for Dendoncker to reply to? A match. The note leading to a rendezvous? A match. The setup is plausible. I can sell it. I’ve done this kind of thing before, remember.”
I didn’t reply.
“OK,” Fenton said. “Yes. There is a risk. But whether to accept it is my choice.”
“That’s fair. And getting them to set up a rendezvous might work. But what if they send someone with you? Or they have someone hidden, watching? You can’t just report a shooting. We need to stage one. And we need it to look real.”