But that’s not what Libby’s telling Sally. She’s saying, “Mom was broke, tired, and lonely. She put her career ahead of absolutely everything and was miserable because of it.” She turns to Sally, conspiratorial. “Nora’s the same way—worked to the bone. No time for a real life. She once refused a second date with a guy because he asked her to put her phone on Do Not Disturb during dinner. Work always comes first for her. That’s why I dragged her here. This trip is basically an intervention.”
She says it all like a joke, but there’s something hard and thorny underneath, and her words land in my gut like a punch. The room has started to pulse and waver. My throat feels full, my clothes itchy against my skin, like something is swelling inside me. She’s still talking, but her words are garbled.
Tired, lonely, no real life, work always comes first.
For weeks, I’ve worried how people will see me once Frigid hits shelves, but Libby—Libby’s the only person who’s ever really known me. And this is how she sees me.
Like a shark.
The shame hits hot and fast, a desperation to crawl out of my skin. To be anywhere else. To be someone else.
I break away, heading for the bathroom in the front hall, but it’s locked, and I beeline toward the front door instead, only to find a handful of people crowding it. I double back, dizzy.
I want to be alone. I need to be somewhere I can vanish into a crowd, or at least where no one will acknowledge what’s happening to me.
What is happening to me?
The stairs. I take them to the second floor. There’s a bathroom at the end of the hall. I’m almost to it when a room on the right catches my eye. A wall of books is visible through the cracked-open door.
It’s a beacon, a lighthouse on a far shore. I step inside and close the door behind me, the party receding to a muffle. My shoulders relax a little, the thud of my heart settling as I take in the cherry-red race car bed against the wall on my left.
Not a store-bought plastic monstrosity, but a homemade wooden frame, painted to glossy perfection. The sight of it sends a pang through me. As do the homemade bookshelves lining the far wall. There’s so much care, not just in the construction but in the organization, Charlie’s touch and Clint’s as visible as inky fingerprints.
The books are meticulously ordered by genre and author, but not pretty. Not rows of leather-bound tomes, just paperbacks with creased spines and half-missing covers, books with five-cent thrift store stickers on them, and Dewey decimal indicators on the ones that came from library sales.
They’re the kinds of books Mrs. Freeman used to give us, the ones she’d stick in the Take a Book, Leave a Book bin.
Libby and I used to joke that Freeman Books was our father. It helped raise us, made us feel safe, brought us little presents when we felt down.
Daily life was unpredictable, but the bookstore was a constant. In winter, when our apartment was too cold, or in summer, when the window unit couldn’t keep up, we’d go downstairs and read in the shop’s coveted window seat. Sometimes Mom would take us to the Museum of Natural History or the Met to cool down, and I’d bring my shredded copy of From the Mixed-Up Files of Mrs. Basil E. Frankweiler with me and think, If we had to, we could live here, like the Kincaid siblings. Between the three of us, we’d be fine. It’d be fun.
Magic. That’s what those days felt like. Not how Libby made it sound.
Sure, there were problems, but what about all those days lying on our bellies in the Coney Island sand reading until the sun set? Or nights spent in a row on our sofa, eating junk food and watching old movies?
What about the Rockefeller Center tree lighting, hot cocoa keeping our hands warm?
Life with Mom, life in New York, was like being in a giant bookstore: all these trillions of paths and possibilities drawing dreamers into the city’s beating heart, saying, I make no promises but I offer many doors.
You may chassé across a spotlit stage with the best of them, but you may also weep over an unbought lime.
Four days after the lime incident, Mom’s friends came over with Cook’s champagne and an envelope of cash they’d pooled to help us out.
Yes, New York is exhausting. Yes, there are millions of people all swimming upstream, but you’re also in it together.
That’s why I put my career first. Not because I have no life, but because I can’t bear to let the one Mom wanted for us slip away. Because I need to know Libby and Brendan and the girls and I will all be okay no matter what, because I want to carve out a piece of the city and its magic, just for us. But carving turns you into a knife. Cold, hard, sharp, at least on the outside.