He circled the car then stopped, crouching low, bringing his head level with the passenger seat. “Are you okay?” he said. Then he said it again. The third time he said it, his voice quivered.
I leaned over the seat to see who he was talking to, and only then realized how serious the accident had been. The front half of the car had been compressed, the engine arched, curving back over itself, like a fold in solid rock.
There was a glare on the windshield from the morning sun. I saw crisscrossing patterns of fissures and cracks. The sight was familiar. I’d seen hundreds of shattered windshields in the junkyard, each one unique, with its particular spray of gossamer extruding from the point of impact, a chronicle of the collision. The cracks on our windshield told their own story. Their epicenter was a small ring with fissures circling outward. The ring was directly in front of the passenger seat.
“You okay?” Dad pleaded. “Honey, can you hear me?”
Mother was in the passenger seat. Her body faced away from the window. I couldn’t see her face, but there was something terrifying in the way she slumped against her seat.
“Can you hear me?” Dad said. He repeated this several times. Eventually, in a movement so small it was almost imperceptible, I saw the tip of Mother’s ponytail dip as she nodded.
Dad stood, looking at the active power lines, looking at the earth, looking at Mother. Looking helpless. “Do you think—should I call an ambulance?”
I think I heard him say that. And if he did, which surely he must have, Mother must have whispered a reply, or maybe she wasn’t able to whisper anything, I don’t know. I’ve always imagined that she asked to be taken home.
I was told later that the farmer whose tractor we’d hit rushed from his house. He’d called the police, which we knew would bring trouble because the car wasn’t insured, and none of us had been wearing seatbelts. It took perhaps twenty minutes after the farmer informed Utah Power of the accident for them to switch off the deadly current pulsing through the lines. Then Dad lifted Mother from the station wagon and I saw her face—her eyes, hidden under dark circles the size of plums, and the swelling distorting her soft features, stretching some, compressing others.
I don’t know how we got home, or when, but I remember that the mountain face glowed orange in the morning light. Once inside, I watched Tyler spit streams of crimson down the bathroom sink. His front teeth had smashed into the steering wheel and been displaced, so that they jutted backward toward the roof of his mouth.
Mother was laid on the sofa. She mumbled that the light hurt her eyes. We closed the blinds. She wanted to be in the basement, where there were no windows, so Dad carried her downstairs and I didn’t see her for several hours, not until that evening, when I used a dull flashlight to bring her dinner. When I saw her, I didn’t know her. Both eyes were a deep purple, so deep they looked black, and so swollen I couldn’t tell whether they were open or closed. She called me Audrey, even after I corrected her twice. “Thank you, Audrey, but just dark and quiet, that’s fine. Dark. Quiet. Thank you. Come check on me again, Audrey, in a little while.”
Mother didn’t come out of the basement for a week. Every day the swelling worsened, the black bruises turned blacker. Every night I was sure her face was as marked and deformed as it was possible for a face to be, but every morning it was somehow darker, more tumid. After a week, when the sun went down, we turned off the lights and Mother came upstairs. She looked as if she had two objects strapped to her forehead, large as apples, black as olives.
There was never any more talk of a hospital. The moment for such a decision had passed, and to return to it would be to return to all the fury and fear of the accident itself. Dad said doctors couldn’t do anything for her anyhow. She was in God’s hands.
In the coming months, Mother called me by many names. When she called me Audrey I didn’t worry, but it was troubling when we had conversations in which she referred to me as Luke or Tony, and in the family it has always been agreed, even by Mother herself, that she’s never been quite the same since the accident. We kids called her Raccoon Eyes. We thought it was a great joke, once the black rings had been around for a few weeks, long enough for us to get used to them and make them the subject of jokes. We had no idea it was a medical term. Raccoon eyes. A sign of serious brain injury.
Tyler’s guilt was all-consuming. He blamed himself for the accident, then kept on blaming himself for every decision that was made thereafter, every repercussion, every reverberation that clanged down through the years. He laid claim to that moment and all its consequences, as if time itself had commenced the instant our station wagon left the road, and there was no history, no context, no agency of any kind until he began it, at the age of seventeen, by falling asleep at the wheel. Even now, when Mother forgets any detail, however trivial, that look comes into his eyes—the one he had in the moments after the collision, when blood poured from his own mouth as he took in the scene, raking his eyes over what he imagined to be the work of his hands and his hands only.