“I’ll find the money,” he told Mother when they went to bed that night. “You get her to that audition.”
The summer I sang the lead for Annie it was 1999. My father was in serious preparedness mode. Not since I was five, and the Weavers were under siege, had he been so certain that the Days of Abomination were upon us.
Dad called it Y2K. On January 1, he said, computer systems all over the world would fail. There would be no electricity, no telephones. All would sink into chaos, and this would usher in the Second Coming of Christ.
“How do you know the day?” I asked.
Dad said that the Government had programmed the computers with a six-digit calendar, which meant the year had only two digits. “When nine-nine becomes oh-oh,” he said, “the computers won’t know what year it is. They’ll shut down.”
“Can’t they fix it?”
“Nope, can’t be done,” Dad said. “Man trusted his own strength, and his strength was weak.”
At church, Dad warned everyone about Y2K. He advised Papa Jay to get strong locks for his gas station, and maybe some defensive weaponry. “That store will be the first thing looted in the famine,” Dad said. He told Brother Mumford that every righteous man should have, at minimum, a ten-year supply of food, fuel, guns and gold. Brother Mumford just whistled. “We can’t all be as righteous as you, Gene,” he said. “Some of us are sinners!” No one listened. They went about their lives in the summer sun.
Meanwhile, my family boiled and skinned peaches, pitted apricots and churned apples into sauce. Everything was pressure-cooked, sealed, labeled, and stored away in a root cellar Dad had dug out in the field. The entrance was concealed by a hillock; Dad said I should never tell anybody where it was.
One afternoon, Dad climbed into the excavator and dug a pit next to the old barn. Then, using the loader, he lowered a thousand-gallon tank into the pit and buried it with a shovel, carefully planting nettles and sow thistle in the freshly tossed dirt so they would grow and conceal the tank. He whistled “I Feel Pretty” from West Side Story while he shoveled. His hat was tipped back on his head, and he wore a brilliant smile. “We’ll be the only ones with fuel when The End comes,” he said. “We’ll be driving when everyone else is hotfooting it. We’ll even make a run down to Utah, to fetch Tyler.”
* * *
—
I HAD REHEARSALS MOST NIGHTS at the Worm Creek Opera House, a dilapidated theater near the only stoplight in town. The play was another world. Nobody talked about Y2K.
The interactions between people at Worm Creek were not at all what I was used to in my family. Of course I’d spent time with people outside my family, but they were like us: women who’d hired Mother to midwife their babies, or who came to her for herbs because they didn’t believe in the Medical Establishment. I had a single friend, named Jessica. A few years before, Dad had convinced her parents, Rob and Diane, that public schools were little more than Government propaganda programs, and since then they had kept her at home. Before her parents had pulled Jessica from school, she was one of them, and I never tried to talk to her; but after, she was one of us. The normal kids stopped including her, and she was left with me.
I’d never learned how to talk to people who weren’t like us—people who went to school and visited the doctor. Who weren’t preparing, every day, for the End of the World. Worm Creek was full of these people, people whose words seemed ripped from another reality. That was how it felt the first time the director spoke to me, like he was speaking from another dimension. All he said was, “Go find FDR.” I didn’t move.
He tried again. “President Roosevelt. FDR.”
“Is that like a JCB?” I said. “You need a forklift?”
Everyone laughed.
I’d memorized all my lines, but at rehearsals I sat alone, pretending to study my black binder. When it was my turn onstage, I would recite my lines loudly and without hesitation. That made me feel a kind of confidence. If I didn’t have anything to say, at least Annie did.
A week before opening night, Mother dyed my brown hair cherry red. The director said it was perfect, that all I needed now was to finish my costumes before the dress rehearsal on Saturday.
In our basement I found an oversized knit sweater, stained and hole-ridden, and an ugly blue dress, which Mother bleached to a faded brown. The dress was perfect for an orphan, and I was relieved at how easy finding the costumes had been, until I remembered that in act two Annie wears beautiful dresses, which Daddy Warbucks buys for her. I didn’t have anything like that.