Three days later, when she was nineteen, Audrey was married—to Benjamin, a blond-haired farm boy she’d met waitressing in town. The wedding was solemn. Dad had prayed and received a revelation: “There will be a conflict, a final struggle for the Holy Land,” he’d said. “My sons will be sent to war. Some of them will not come home.”
I’d been avoiding Shawn since the night in the bathroom. He’d apologized. He’d come into my room an hour later, his eyes glassy, his voice croaking, and asked me to forgive him. I’d said that I would, that I already had. But I hadn’t.
At Audrey’s wedding, seeing my brothers in their suits, those black uniforms, my rage turned to fear, of some predetermined loss, and I forgave Shawn. It was easy to forgive: after all, it was the End of the World.
For a month I lived as if holding my breath. Then there was no draft, no further attacks. The skies didn’t darken, the moon didn’t turn to blood. There were distant rumblings of war but life on the mountain remained unchanged. Dad said we should stay vigilant, but by winter my attention had shifted back to the trifling dramas of my own life.
I was fifteen and I felt it, felt the race I was running with time. My body was changing, bloating, swelling, stretching, bulging. I wished it would stop, but it seemed my body was no longer mine. It belonged to itself now, and cared not at all how I felt about these strange alterations, about whether I wanted to stop being a child, and become something else.
That something else thrilled and frightened me. I’d always known that I would grow differently than my brothers, but I’d never thought about what that might mean. Now it was all I thought about. I began to look for cues to understand this difference, and once I started looking, I found them everywhere.
One Sunday afternoon, I helped Mother prepare a roast for dinner. Dad was kicking off his shoes and loosening his tie. He’d been talking since we left the church.
“That hemline was three inches above Lori’s knee,” Dad said. “What’s a woman thinking when she puts on a dress like that?” Mother nodded absently while chopping a carrot. She was used to this particular lecture.
“And Jeanette Barney,” Dad said. “If a woman wears a blouse that low-cut, she ought not bend over.” Mother agreed. I pictured the turquoise blouse Jeanette had worn that day. The neckline was only an inch below her collarbone, but it was loose-fitting, and I imagined that if she bent it would give a full view. As I thought this I felt anxious, because although a tighter blouse would have made Jeanette’s bending more modest, the tightness itself would have been less modest. Righteous women do not wear tight clothing. Other women do that.
I was trying to figure out exactly how much tightness would be the right amount when Dad said, “Jeanette waited to bend for that hymnal until I was looking. She wanted me to see.” Mother made a disapproving tsk sound with her teeth, then quartered a potato.
This speech would stay with me in a way that a hundred of its precursors had not. I would remember the words very often in the years that followed, and the more I considered them, the more I worried that I might be growing into the wrong sort of woman. Sometimes I could scarcely move through a room, I was so preoccupied with not walking or bending or crouching like them. But no one had ever taught me the modest way to bend over, so I knew I was probably doing it the bad way.
* * *
—
SHAWN AND I AUDITIONED for a melodrama at Worm Creek. I saw Charles at the first rehearsal and spent half the evening working up the courage to talk to him. When I did, finally, he confided in me that he was in love with Sadie. This wasn’t ideal, but it did give us something to talk about.
Shawn and I drove home together. He sat behind the wheel, glaring at the road as if it had wronged him.
“I saw you talking to Charles,” he said. “You don’t want people thinking you’re that kind of girl.”
“The kind that talks?”
“You know what I mean,” he said.
The next night, Shawn came into my room unexpectedly and found me smudging my eyelashes with Audrey’s old mascara.
“You wear makeup now?” he said.
“I guess.”
He spun around to leave but paused in the doorframe. “I thought you were better,” he said. “But you’re just like the rest.”
He stopped calling me Siddle Lister. “Let’s go, Fish Eyes!” he shouted from across the theater one night. Charles looked around curiously. Shawn began to explain the name, so I started laughing—loud enough, I hoped, to drown him out. I laughed as if I loved the name.