Soon after, Dad bought a machine to manufacture bullets from spent cartridges. Now we could last longer in a standoff, he said. I thought of my “head for the hills” bag, waiting in my bed, and of the rifle hidden near the railcar, and began to worry about the bullet-making machine. It was bulky and bolted to an iron workstation in the basement. If we were taken by surprise, I figured we wouldn’t have time to fetch it. I wondered if we should bury it, too, with the rifle.
We kept on bottling peaches. I don’t remember how many days passed or how many jars we’d added to our stores before Dad told us more of the story.
“Randy Weaver’s been shot,” Dad said, his voice thin and erratic. “He left the cabin to fetch his son’s body, and the Feds shot him.” I’d never seen my father cry, but now tears were dripping in a steady stream from his nose. He didn’t wipe them, just let them spill onto his shirt. “His wife heard the shot and ran to the window, holding their baby. Then came the second shot.”
Mother was sitting with her arms folded, one hand across her chest, the other clamped over her mouth. I stared at our speckled linoleum while Dad told us how the baby had been lifted from its mother’s arms, its face smeared with her blood.
Until that moment, some part of me had wanted the Feds to come, had craved the adventure. Now I felt real fear. I pictured my brothers crouching in the dark, their sweaty hands slipping down their rifles. I pictured Mother, tired and parched, drawing back away from the window. I pictured myself lying flat on the floor, still and silent, listening to the sharp chirp of crickets in the field. Then I saw Mother stand and reach for the kitchen tap. A white flash, the roar of gunfire, and she fell. I leapt to catch the baby.
Dad never told us the end of the story. We didn’t have a TV or radio, so perhaps he never learned how it ended himself. The last thing I remember him saying about it was, “Next time, it could be us.”
Those words would stay with me. I would hear their echo in the chirp of crickets, in the squish of peaches dropping into a glass jar, in the metallic chink of an SKS being cleaned. I would hear them every morning when I passed the railroad car and paused over the chickweed and bull thistle growing where Tyler had buried the rifle. Long after Dad had forgotten about the revelation in Isaiah, and Mother was again hefting plastic jugs of “Western Family 2%” into the fridge, I would remember the Weavers.
* * *
—
IT WAS ALMOST FIVE A.M.
I returned to my room, my head full of crickets and gunfire. In the lower bunk, Audrey was snoring, a low, contented hum that invited me to do the same. Instead I climbed up to my bed, crossed my legs and looked out the window. Five passed. Then six. At seven, Grandma appeared and I watched her pace up and down her patio, turning every few moments to gaze up the hill at our house. Then she and Grandpa stepped into their car and pulled onto the highway.
When the car was gone, I got out of bed and ate a bowl of bran with water. Outside I was greeted by Luke’s goat, Kamikaze, who nibbled my shirt as I walked to the barn. I passed the go-kart Richard was building from an old lawnmower. I slopped the pigs, filled the trough and moved Grandpa’s horses to a new pasture.
After I’d finished I climbed the railway car and looked out over the valley. It was easy to pretend the car was moving, speeding away, that any moment the valley might disappear behind me. I’d spent hours playing that fantasy through in my head but today the reel wouldn’t take. I turned west, away from the fields, and faced the peak.
The Princess was always brightest in spring, just after the conifers emerged from the snow, their deep green needles seeming almost black against the tawny browns of soil and bark. It was autumn now. I could still see her but she was fading: the reds and yellows of a dying summer obscured her dark form. Soon it would snow. In the valley that first snow would melt but on the mountain it would linger, burying the Princess until spring, when she would reappear, watchful.
“Do you have calendula?” the midwife said. “I also need lobelia and witch hazel.”
She was sitting at the kitchen counter, watching Mother rummage through our birchwood cabinets. An electric scale sat on the counter between them, and occasionally Mother would use it to weigh dried leaves. It was spring. There was a morning chill despite the bright sunlight.
“I made a fresh batch of calendula last week,” Mother said. “Tara, run and fetch it.”
I retrieved the tincture, and my mother packed it in a plastic grocery bag with the dried herbs. “Anything else?” Mother laughed. The pitch was high, nervous. The midwife intimidated her, and when intimidated my mother took on a weightless quality, whisking about every time the midwife made one of her slow, solid movements.