He wiped his mouth.
“She wasn’t a—” He stopped.
He shook his head.
Then he said, “You know…I think there’s a thing. When you’ve gone as far as you dare. And if you go any further, you wouldn’t be you anymore? You’d be the person who’d done that? The places you just can’t go… I think that happened to me tonight.”
I thought I knew what he was saying. “Screw her, you mean?” I said.
He rammed a knuckle hard against my temple, and twisted it violently. I wondered if I was going to have to fight him—and lose—but after a moment he lowered his hand and moved away from me, making a low, gulping noise.
I looked at him curiously, and I realized that he was crying: his face was scarlet; snot and tears ran down his cheeks. Vic was sobbing in the street, as unselfconsciously and heartbreakingly as a little boy. He walked away from me then, shoulders heaving, and he hurried down the road so he was in front of me and I could no longer see his face. I wondered what had occurred in that upstairs room to make him behave like that, to scare him so, and I could not even begin to guess.
The streetlights came on, one by one; Vic stumbled on ahead, while I trudged down the street behind him in the dusk, my feet treading out the measure of a poem that, try as I might, I could not properly remember and would never be able to repeat.
THE DAY THE SAUCERS CAME
That day, the saucers landed. Hundreds of them, golden,
Silent, coming down from the sky like great snowflakes,
And the people of Earth stood and stared as they descended,
Waiting, dry-mouthed, to find what waited inside for us
And none of us knowing if we would be here tomorrow
But you didn’t notice it because
That day, the day the saucers came, by some coincidence,
Was the day that the graves gave up their dead
And the zombies pushed up through soft earth
or erupted, shambling and dull-eyed, unstoppable,
Came towards us, the living, and we screamed and ran,
But you did not notice this because
On the saucer day, which was the zombie day, it was
Ragnarok also, and the television screens showed us
A ship built of dead-men’s nails, a serpent, a wolf,
All bigger than the mind could hold, and the cameraman could
Not get far enough away, and then the Gods came out
But you did not see them coming because
On the saucer-zombie-battling-gods day the floodgates broke
And each of us was engulfed by genies and sprites
Offering us wishes and wonders and eternities
And charm and cleverness and true brave hearts and pots of gold
While giants feefofummed across the land, and killer bees,
But you had no idea of any of this because
That day, the saucer day the zombie day
The Ragnarok and fairies day, the day the great winds came
And snows, and the cities turned to crystal, the day
All plants died, plastics dissolved, the day the
Computers turned, the screens telling us we would obey, the day
Angels, drunk and muddled, stumbled from the bars,
And all the bells of London were sounded, the day
Animals spoke to us in Assyrian, the Yeti day,
The fluttering capes and arrival of the Time Machine day,
You didn’t notice any of this because
you were sitting in your room, not doing anything
not even reading, not really, just
looking at your telephone,
wondering if I was going to call.
SUNBIRD
They were a rich and a rowdy bunch at the Epicurean Club in those days. They certainly knew how to party. There were five of them:
There was Augustus TwoFeathers McCoy, big enough for three men, who ate enough for four men and who drank enough for five. His great-grandfather had founded the Epicurean Club with the proceeds of a tontine, which he had taken great pains, in the traditional manner, to ensure that he had collected in full.
There was Professor Mandalay, small and twitchy and gray as a ghost （and perhaps he was a ghost; stranger things have happened） who drank nothing but water, and who ate doll-portions from plates the size of saucers. Still, you do not need the gusto for the gastronomy, and Mandalay always got to the heart of every dish placed in front of him.
There was Virginia Boote, the food and restaurant critic, who had once been a great beauty but was now a grand and magnificent ruin, and who delighted in her ruination.
There was Jackie Newhouse, the descendant （on the left-handed route） of the great lover, gourmand, violinist, and duelist Giacomo Casanova. Jackie Newhouse had, like his notorious ancestor, both broken his share of hearts and eaten his share of great dishes.