"But, Ashley, what are you afraid of?"
"Oh, nameless things. Things which sound very silly when they are put into words.
Mostly of having life suddenly become too real, of being brought into personal, too personal, contact with some of the simple facts of life. It isn't that I mind splitting logs here in the mud, but I do mind what it stands for. I do mind, very much, the loss of the beauty of the old life I loved.
Scarlett, before the war, life was beautiful. There was a glamour to it, a perfection and a completeness and a symmetry to it like Grecian art. Maybe it wasn't so to everyone. I know that now. But to me, living at Twelve Oaks, there was a real beauty to living. I belonged in that life. I was a part of it. And now it is gone and I am out of place in this new life, and I am afraid. Now, I know that in the old days it was a shadow show I watched. I avoided everything which was not shadowy, people and situations which were too real, too vital. I resented their intrusion. I tried to avoid you too, Scarlett. You were too full of living and too real and I was cowardly enough to prefer shadows and dreams."
"But--but--Melly?"
"Melanie is the gentlest of dreams and a part of my dreaming. And if the war had not come I would have lived out my life, happily buried at Twelve Oaks, contentedly watching life go by and never being a part of it. But when the war came, life as it really is thrust itself against me. The first time I went into action--it was at Bull Run, you remember--I saw my boyhood friends blown to bits and heard dying horses scream and learned the sickeningly horrible feeling of seeing men crumple up and spit blood when I shot them. But those weren't the worst things about the war, Scarlett. The worst thing about the war was the people I had to live with.
"I had sheltered myself from people an my life, I had carefully selected my few friends.
But the war taught me I had created a world of my own with dream people in it. It taught me what people really are, but it didn't teach me how to live with them. And I'm afraid I'll never learn. Now, I know that in order to support my wife and child, I will have to make my way among a world of people with whom I have nothing in common. You, Scarlett, are taking life by the horns and twisting it to your will. But where do I fit in the world any more? I tell you I am afraid."
While his low resonant voice went on, desolate, with a feeling she could not understand,
Scarlett clutched at words here and there, trying to make sense of them. But the words swooped from her hands like wild birds. Something was driving him, driving him with a cruel goad, but she did not understand what it was.
"Scarlett, I don't know just when it was that the bleak realization came over me that my own private shadow show was over. Perhaps in the first five minutes at Bull Run when I saw the first man I killed drop to the ground. But I knew it was over and I could no longer be a spectator.
No, I suddenly found myself on the curtain, an actor, posturing and making futile gestures. My little inner world was gone, invaded by people whose thoughts were not my thoughts, whose actions were as alien as a Hottentot's. They'd tramped through my world with slimy feet and there was no place left where I could take refuge when things became too bad to stand. When I was in prison, I thought: When the war is over, I can go back to the old life and the old dreams and
watch the shadow show again. But, Scarlett, there's no going back. And this which is facing all of us now is worse than war and worse than prison--and, to me, worse than death… So, you see, Scarlett, I'm being punished for being afraid."
"But, Ashley," she began, floundering in a quagmire of bewilderment, "if you're afraid we'll starve, why--why--Oh, Ashley, we'll manage somehow! I know we will!"
For a moment, his eyes came back to her, wide and crystal gray, and there was admiration
in them. Then, suddenly, they were remote again and she knew with a sinking heart that he had not been thinking about starving. They were always like two people talking to each other in different languages. But she loved him so much that, when he withdrew as he had now done, it was like the warm son going down and leaving her in chilly twilight dews. She wanted to catch him by the shoulders and hug him to her, make him realize that she was flesh and blood and not something he had read or dreamed. If she could only feel that sense of oneness with him for which she had yearned since that day, so long ago, when he had come home from Europe and
stood on the steps of Tara and smiled up at her.
"Starving's not pleasant," he said. "I know for I've starved, but I'm not afraid of that. I am afraid of facing life without the slow beauty of our old world that is gone."