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Gone with the Wind(405)

Author:Margaret Mitchell

was not often in her suite these days, for she was too busy with the building of her new house to

be bothered with callers. These days she did not much care whether she had callers or not. She wanted to delay her social activities until the day when the house was finished and she could emerge as the mistress of Atlanta's largest mansion, the hostess of the town's most elaborate entertainments.

Through the long warm days she watched her red stone and gray shingle house rise

grandly, to tower above any other house on Peachtree Street. Forgetful of the store and the mills, she spent her time on the lot, arguing with carpenters, bickering with masons, harrying the contractor. As the. walls went swiftly up she thought with satisfaction that, when finished, it would be larger and finer looking than any other house in town. It would be even more imposing than the near-by James residence which had just been purchased for the official mansion of Governor Bullock.

The governor's mansion was brave with jigsaw work on banisters and eaves, but the

intricate scrollwork on Scarlett's house put the mansion to shame. The mansion had a ballroom, but it looked like a billiard table compared with the enormous room that covered the entire third floor of Scarlett's house. In fact, her house had more of everything than the mansion, or any other house in town for that matter, more cupolas and turrets and towers and balconies and lightning rods and far more windows with colored panes.

A veranda encircled the entire house, and four flights of steps on the four sides of the

building led up to it. The yard was wide and green and scattered about it were rustic iron benches, an iron summerhouse, fashionably called a "gazebo" which, Scarlett had been assured, was of pure Gothic design, and two large iron statues, one a stag and the other a mastiff as large as a Shetland pony. To Wade and Ella, a little dazzled by the size, splendor and fashionable dark gloom of their new home, these two metal animals were the only cheerful notes.

Within, the house was furnished as Scarlett had desired, with thick red carpeting which

ran from wall to wall, red velvet portieres and the newest of highly varnished black-walnut furniture, carved wherever there was an inch for carving and upholstered in such slick horsehair that ladies had to deposit themselves thereon with great care for fear of sliding off. Everywhere on the walls were gilt-framed mirrors and long pier glasses--as many, Rhett said idly, as there were in Belle Watling's establishment. Interspread were steel engravings in heavy frames, some of them eight feet long, which Scarlett had ordered especially from New York. The walls were covered with rich dark paper, the ceilings were high and the house was always dim, for the windows were overdraped with plum-colored plush hangings that shut out most of the sunlight.

All in all it was an establishment to take one's breath away and Scarlett, stepping on the soft carpets and sinking into the embrace of the deep feather beds, remembered the cold floors and the straw-stuffed bedticks of Tara and was satisfied. She thought it the most beautiful and most elegantly furnished house she had ever seen, but Rhett said it was a nightmare. However, if it made her happy, she was welcome to it.

"A stranger without being told a word about us would know this house was built with ill-gotten gains," he said. "You know, Scarlett, money ill come by never comes to good and this house is proof of the axiom. It's just the kind of house a profiteer would build."

But Scarlett, abrim with pride and happiness and full of plans for the entertainments she would give when they were thoroughly settled in the house, only pinched his ear playfully and said: "Fiddle-dee-dee! How you do run on!"

She knew, by now, that Rhett loved to take her down a peg, and would spoil her fun

whenever he could, if she lent an attentive ear to his jibes. Should she take him seriously, she would be forced to quarrel with him and she did not care to match swords, for she always came

off second best. So she hardly ever listened to anything he said, and what she was forced to hear she tried to turn off as a joke. At least, she tried for a while.

During their honeymoon and for the greater part of their stay at the National Hotel, they had lived together with amiability. But scarcely had they moved into the new house and Scarlett gathered her new friends about her, when sudden sharp quarrels sprang up between them. They were brief quarrels, short lived because it was impossible to keep a quarrel going with Rhett, who remained coolly indifferent to her hot words and waited his chance to pink her in an unguarded spot. She quarreled; Rhett did not. He only stated his unequivocal opinion of herself, her actions, her house and her new friends. And some of his opinions were of such a nature that she could no longer ignore them and treat them as jokes.