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Gone with the Wind(78)

Author:Margaret Mitchell

In the center of the hall the huge ugly lamp, hanging from the ceiling by rusty chains, was completely transformed by twining ivy and wild grapevines that were already withering from the heat. The walls were banked with pine branches that gave out a spicy smell, making the corners of the room into pretty bowers where the chaperons and old ladies would sit. Long graceful ropes of ivy and grapevine and smilax were hung everywhere, in looping festoons on the walls, draped above the windows, twined in scallops all over the brightly colored cheesecloth booths. And everywhere amid the greenery, on flags and bunting, blazed the bright stars of the Confederacy on their background of red and blue.

The raised platform for the musicians was especially artistic. It was completely hidden

from view by the banked greenery and starry bunting and Scarlett knew that every potted and tubbed plant in town was there, coleus, geranium, hydrangea, oleander, elephant ear--even Mrs.

Elsing's four treasured rubber plants, which were given posts of honor at the four corners.

At the other end of the hall from the platform, the ladies had eclipsed themselves. On this wall hung large pictures of President Davis and Georgia's own "Little Alec" Stephens, Vice-President of the Confederacy. Above them was an enormous flag and, beneath, on long tables was the loot of the gardens of the town, ferns, banks of roses, crimson and yellow and white, proud sheaths of golden gladioli, masses of varicolored nasturtiums, tall stiff hollyhocks rearing deep maroon and creamy heads above the other flowers. Among them, candles burned serenely like altar fires. The two faces looked down on the scene, two faces as different as could be possible in two men at the helm of so momentous an undertaking: Davis with the flat cheeks and cold eyes of an ascetic, his thin proud lips set firmly; Stephens with dark burning eyes deep socketed in a face that had known nothing but sickness and pain and had triumphed over them with humor and with fire--two faces that were greatly loved.

The elderly ladies of the committee in whose hands rested the responsibility for the whole bazaar rustled in as importantly as full-rigged ships, hurried the belated young matrons and

giggling girls into their booths, and then swept through the doors into the back rooms where the refreshments were being laid out. Aunt Pitty panted out after them.

The musicians clambered upon their platform, black, grinning, their fat cheeks already

shining with perspiration, and began tuning their fiddles and sawing and whanging with their bows in anticipatory importance. Old Levi, Mrs. Merriwether's coachman, who had led the

orchestras for every bazaar, ball and wedding since Atlanta was named Marthasville, rapped with his bow for attention. Few except the ladies who were conducting the bazaar had arrived yet, but all eyes turned toward him. Then the fiddles, bull fiddles, accordions, banjos and knuckle-bones broke into a slow rendition of "Lorena"--too slow for dancing, the dancing would come later when the booths were emptied of their wares. Scarlett felt her heart beat faster as the sweet melancholy of the waltz came to her:

"The years creep slowly by, Lorena!

The snow is on the grass again.

The sun's far down the sky, Lorena …"

One-two-three, one-two-three, dip-sway--three, turn--two-three. What a beautiful waltz!

She extended her hands slightly, closed her eyes and swayed with the sad haunting rhythm. There was something about the tragic melody and Lorena's lost love that mingled with her own

excitement and brought a lump into her throat.

Then, as if brought into being by the waltz music, sounds floated in from the shadowy

moonlit street below, the trample of horses' hooves and the sound of carriage wheels, laughter on the warm sweet air and the soft acrimony of negro voices raised in argument over hitching places for the horses. There was confusion on the stairs and light-hearted merriment, the mingling of girls' fresh voices with the bass notes of their escorts, airy cries of greeting and squeals of joy as girls recognized friends from whom they had parted only that afternoon.

Suddenly the hall burst into life. It was full of girls, girls who floated in butterfly bright dresses, hooped out enormously, lace pantalets peeping from beneath; round little white

shoulders bare, and faintest traces of soft little bosoms showing above lace flounces; lace shawls carelessly hanging from arms; fans spangled and painted, fans of swan's-down and peacock

feathers, dangling at wrists by tiny velvet ribbons; girls with masses of golden curls about their necks and fringed gold earbobs that tossed and danced with their dancing curls. Laces and silks and braid and ribbons, all blockade run, all the more precious and more proudly worn because of it, finery flaunted with an added pride as an extra affront to the Yankees.

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