A place that would mean continuing to work in music . . . and be near Fox.
If that’s what he wanted.
A knot that had grown familiar over the last five days grew taut in her belly, agitating the coffee she’d drunk this morning. If she went back to LA as originally planned, it would be with a heart broken beyond repair. Being without Fox since he’d left only cemented that belief. She missed him so much she ached with it. Missed the way he frowned and parted his lips slightly when she talked, like he was concentrating hard on what she was saying. She missed the way he tucked both hands under his armpits in the cold. Missed his devilish laugh, the stroke of his palm down her hair, the halting way he spoke when he was about to drop some honesty.
The fact that he’d learned how to be honest with her at all times.
Every time she closed her eyes, she envisioned him striding down the dock in her direction, opening his arms, the decision to put in the work, to build a relationship with Hannah right there on his face.
What if it wasn’t, though? What if five days on the water made him realize it was too much too soon? Or too much work, period?
Maybe she’d been impulsive to suggest leaving LA to be closer to Fox. Maybe she should have just gone back home and tried to do the long-distance thing for a while. But she couldn’t see herself being happy with that. Not now. Not when she knew how right it felt to have him at her side. At her back. All around her. Didn’t he feel the same?
Yes. He did—and she’d have faith in his actions. She’d have faith in them.
The door opened and there stood Opal, a row of curlers down the center of her head. “Oh! Hannah. I was just in the middle of taking these rollers out and now you’ve caught me looking a fright. Come in, come in. It’s just us girls. Who cares!”
Hannah entered on a laugh, tucking a finger into her jeans pocket to make sure the envelope was still there, as she’d done a hundred times on the walk from set to Opal’s building.
“What brings you by, my dear? Not that you need a reason!”
She followed Opal into the bathroom and started helping her remove the final row of pink foam curlers. “I would have called first, but I was too excited.” She wet her lips. “You remember when I asked for permission to use Henry’s songs in the movie we’re filming?”
“I surely do. But you said it was a long shot.” Opal’s hands dropped to the sink. “Don’t tell me it’s really going to happen, Hannah.” She scrutinized Hannah’s expression, and her own transformed with awe. “I don’t believe it. I . . . How? How? They’re not even recorded properly. They’re just words on a page.”
“Not anymore,” Hannah murmured, relaying the events of the last week. “Come on, I have one cued up on my phone ready to play.” She hooked an arm through Opal’s, leading her from the bathroom to the couch. Once they were settled, she snuck out her phone and opened the sound file, exhaling roughly as the music filled the room. The opening dance of the fiddle and bass, followed by the purr of Alana Wilder’s vocals, the muffled beat of the drum added in postproduction.
Hannah thought of the moment on set when she’d approached Sergei and wordlessly handed him a set of AirPods, hitting play and watching his eyes go wide, his fingers tapping on his knees. That sense of accomplishment. No matter what he decided, she’d created something magical. She’d moved the dials until it all came together and overcome the doubt to get it done.
Her first leading-lady move—and definitely not her last.
Opal covered her mouth with both hands, her knuckles going white. “Oh, Hannah. Oh, this does my soul good. It’s the closest I’ve come to speaking with him in twenty-four years. It’s extraordinary.”
Warmth spread in her chest. “There are more. Three total. And I’m working on recording the rest.” She took the envelope out of her pocket and handed it to Opal, her pulse beginning to tick faster. “In the meantime, the songs have been copyrighted in your name, Opal. You’ll be getting a percentage of the income generated by the soundtrack, but I managed to negotiate a signing bonus, too. For the use of Henry’s songs in Glory Daze. It doesn’t include whatever the production company will have to pay you if they use the songs in advertisements—”
“Hannah!” Opal gaped at the check she’d pulled out of the envelope. The one Sergei had handed her this morning. “I get to keep this?”
“That’s right.”
“Oh, I couldn’t,” she said, flustered, trying to hand back the check.