I’m worried about my head. My confusion. The uncertainty seeping through me, spreading like a poison.
Ibrahim is dead.
Anderson, nearly so.
Will he recover? Will he die? Who would I be without him? What was it Ibrahim wanted to do to me? From what was Anderson trying to protect me? Who are these children I’m meant to kill? Why did Ibrahim call them my friends?
My questions are endless.
I kill them.
I shove aside a series of steel desks and catch a glimpse of the boy before he darts around a corner. Anger punches through me, shooting a jolt of adrenaline to my brain, and I start running again, renewed determination focusing my mind. I charge through the dimly lit room, shoving my way through an endless sea of medical paraphernalia. When I stop moving, silence descends.
Silence so pure it’s deafening.
I spin around, searching. The boy is gone. I blink, confused, scanning the room as my pulse races with renewed fear. Seconds pass, gather into moments that feel like minutes, hours.
This is a trap.
The laboratory is perfectly still—the lights so perfectly dim—that as the silence drags on I begin to wonder if I’m caught in a dream. I feel suddenly paranoid, uncertain. Like maybe that boy was a figment of my imagination. Like maybe all of this is some strange nightmare, and maybe I’ll wake up soon and Anderson will be back in his office, and Ibrahim will be a man I’ve never met, and tomorrow I’ll wake up in my pod by the water.
Maybe, I think, this is all just another test.
A simulation.
Maybe Anderson is challenging my loyalty one last time. Maybe it’s my job to stay put, to keep myself safe like he asked me to, and to destroy anyone who tries to stand in my way. Or maybe—
Stop.
I sense movement.
Movement so fine it’s nearly imperceptible. Movement so gentle it could’ve been a breeze, except for one thing:
I hear a heart beating.
Someone is here, someone motionless, someone sly. I straighten, my senses heightened, my heart racing in my chest.
Someone is here someone is here someone is here—
Where?
There.
He appears, as if out of a dream, standing before me like a statue, still as cooling steel. He stares at me, green eyes the color of sea glass, the color of celadon.
I never really had a chance to see his face.
Not like this.
My heart races as I assess him, his white shirt, green jacket, gold hair. Skin like porcelain. He does not slouch or fidget and, for a moment, I’m certain I was right, that perhaps he’s nothing more than a mirage. A program.
Another hologram.
I reach out, uncertain, the tips of my fingers grazing the exposed skin at his throat and he takes a sharp, shaky breath.
Real, then.
I flatten my hand against his chest, just to be sure, and I feel his heart racing under my palm. Fast, lightning fast.
I glance up, surprised.
He’s nervous.
Another unsteady breath escapes him and this time, takes with it a measure of control. He steps back, shakes his head, stares up at the ceiling.
Not nervous.
He is distraught.
I should kill him now, I think. Kill him now.
A wave of nausea hits me so hard it nearly knocks me off my feet. I take a few unsteady steps backward, catching myself against a steel table. My fingers grip the cold metal edge and I hang on, teeth clenched, willing my mind to clear.
Heat floods my body.
Heat, torturous heat, presses against my lungs, fills my blood. My lips part. I feel parched. I look up and he’s right in front of me and I do nothing. I do nothing as I watch his throat move.
I do nothing as my eyes devour him.
I feel faint.
I study the sharp line of his jaw, the gentle slope where his neck meets shoulder. His lips look soft. His cheekbones high, his nose sharp, his brows heavy, gold. He is finely made. Beautiful, strong hands. Short, clean nails. I notice he wears a jade ring on his left pinkie finger.
He sighs.
He shakes off his jacket, carefully folding it over the back of a nearby chair. Underneath he wears only a simple white T-shirt, the sculpted contours of his bare arms catching the attention of the dim lights. He moves slowly, his motions unhurried. When he begins to pace I watch him, study the shape of him. I am not surprised to discover that he moves beautifully. I am fascinated by him, by his form, his measured strides, the muscles honed under skin. He seems like he might be my age, maybe a little older, but there’s something about the way he looks at me that makes him seem older than our years combined.
Whatever it is, I like it.
I wonder what I’m supposed to do with this, all of this. Is it truly a test? If so, why send someone like him? Why a face so refined? Why a body so perfectly honed?