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Killers of a Certain Age(84)

Author:Deanna Raybourn

But now I didn’t have a Ticonderoga or a pack of Eves, and I sure as hell didn’t have any Big Red. I had a notebook from the pound store with a picture of a basket of puppies on it and a marker that smelled like bubble gum. And I had my lighter. I pulled it out of my pocket and lit one of the god-awful cigarettes left from the brew we’d made for Günther. It was cheap and rough and I coughed until my eyes streamed before stubbing it out on the sole of my boot. I rubbed my thumb over the lighter, noting every lump of turquoise, rubbed smooth from years of handling. It was heavy and not particularly pretty, and I was sure my mother had stolen it from one of the men she referred to as her “boyfriends.” There had been so many of them, all vaguely the same, with flashy cars and unsuspecting wives. She would take up with them for a weekend or a year, however long they managed to convince her that this time she’d met a good man who would really take care of her. She never saw the clues, or maybe she just didn’t want to. She would shake out her blond hair and put on another coat of frosted lipstick and get into yet another Camaro, thinking this time it would be different.

But it never was. She got older but never any smarter, and with age came desperation. She just wanted so badly to be loved, but the love of a child wasn’t enough, wasn’t the right kind of love. So I learned to keep it back, not to burden her with it. She loved me best when I didn’t ask anything of her, so I carried that love alone until the day she up and walked away for good. She left with a man, of course, this one heading for California. He had a paunch and a shirt open to his navel, but he drove a Cadillac and had a plan to make money. The fact that a kid was a dealbreaker didn’t stop her; it probably didn’t even slow her down. She took whatever she could carry that would pawn easily, which is how I know she forgot the lighter. It would have gotten her a few bucks for gas money or a Stuckey’s pecan log.

At first, I hoped she might send for me. I used that lighter on a birthday candle. I didn’t have a cake—Meemaw’s budget didn’t stretch that far and she hadn’t even remembered my birthday. But I found a broken candle from a faded box in the pantry and I lit it with my mother’s lighter, making the same wish I’d made when I’d stolen a rabbit’s foot keychain from the five-and-dime just so I could rub it.

The wish never came true. I used the lighter to burn the postcard she sent from Venice Beach telling me how wonderful it was but how she just couldn’t afford the bus ticket for me to visit. After that I stopped checking the mail and I stopped looking backwards. But I kept the lighter. I used it when I wanted to burn my bridges, torching report cards and disciplinary notes, rejection letters and pink slips. I glued back the turquoises when they fell out and refilled the fluid and kept it polished. I moved a lot during my first years with the Museum. I preferred furnished rentals and kept my possessions light—just a single box of things I could ship easily from place to place. Over the years, the things in the box changed, but the lighter was the constant, the one item I always carried in my pocket. I used it to burn intel and light signal fires and flaming shots when the occasion called for it. It lay on the nightstand the first time I spent the night with Taverner, and I used it to light a cigarette the last time I said good-bye to him, my hand shaking so badly I could hardly get it to catch. It was a talisman of sorts, and it never failed me.

Until now. I turned it over and over in my hand, but it just felt cold and heavy. There was no inspiration for how to find Vance, only the biting cold of the shed and the weight of the lump of silver in my hand. I flicked it, kindling the little flame. I passed my hand over it, warming it a bit but mostly killing time, bringing my palm closer and closer with each pass.

I flipped open the folder from Carapaz’s house and paged through it. Whatever instinct had prompted me to snatch it on the way out had paid off. It was our dossier, the one prepared for the board, alleging we were on the take. Like all material prepped for the board, it was almost clinical in its tone, laying out the evidence like a trail of bread crumbs for the directors to follow. There was a section on each of us, complete with murders we were supposed to have committed for pay. I skimmed my pages again, going over the lurid details. They were laughable—targets I had never even heard of, methods I rarely used. The whole thing smelled sloppy to me, like it had been assembled too fast or by somebody with no time to spare.

I lit another cigarette—it might have been nasty but I needed the nicotine—and blew out a mouthful of smoke slowly, making rings. Smoke and mirrors, that’s all the dossier was, a prop to keep on hand in case anybody asked questions about us. The file was the old-fashioned kind, pasteboard covers with a long metal bracket down one side. The arms of the bracket were threaded through holes punched in the pages inside, keeping everything neat and tidy, with little clasps to hold the bracket arms down and form a temporary binding. It meant the pages could be flipped through like a book, complete with a snug little gutter on the inside. I flicked the clasps off and straightened the bracket arms before I slid the front cover off. I pulled each page free until I saw it, a tiny set of coded characters running vertically along one of the inside margins. Every dossier came with a code like that, a series of letters and numbers that could be interpreted if you knew what you were looking at. Every person who had a hand in compiling it added their initials and the date to the code. By the time it got to a field agent, the code could take up the entire length of the page. This one was short—one set of initials and one date. One person had compiled the dossier.

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