I play the song several times, and she watches me some of the time, then writes some of the time. She uses her hands to tell me to pause or back up or move on to the next chorus or to restart the song altogether. I keep a close eye on her while I play, and we continue this dance for more than an hour. She does a lot of scratching out and makes a heck of a lot of faces that I’m not sure convey that she’s having any fun.
She eventually sits up and tears the paper out of the notebook, then wads it up and tosses it into the trash can. She slaps her notebook shut and shakes her head.
Sydney: I’m sorry, Ridge. Maybe I’m just exhausted, but it’s not clicking right now. Can we try this again tomorrow night?
I nod, doing my best to hide my disappointment. I don’t like seeing her frustrated. She takes her laptop and notebook and starts to walk back toward her bedroom. She turns back around and mouths, “Good night.”
As soon as she disappears, I’m off the bed and digging through the trash can. I pull out her wadded-up sheet of paper and take it back to my bed and unfold it.
Watching him from here
So far away
Want him closer than my heart can take
I want him here I want
Maybe one of these days Someday
There are random sentences, some marked out, some not. I read all of them, attempting to work my way around them.
I’d run for him you, if I could stand
But I can’t make that demand
I can’t be his right now
Why can’t he take me away
Reading her words feels like an invasion of her privacy. But is it? Technically, we’re in this together, so I should be able to read what she’s writing as she writes it.
But there’s something different about this song. It’s different because this song doesn’t sound like it’s about Hunter.
This song sounds a little like it could be about me.
I shouldn’t be doing this. I should not be picking up my phone right now, and I should definitely not be contemplating how to persuade her to help me finish this song tonight.
Me: Don’t be mad, but I’m reading your lyrics. I think I know where your frustration is coming from.
Sydney: Could it be coming from the fact that I suck at writing lyrics and a few songs is all I had in me?
I pick up my guitar and head to her bedroom. I knock and open her door, assuming she’s still decent since she just left my room two minutes ago. I walk to her bed and sit, then grab her notebook and pen and place her lyrics on top of the notebook. I write a note and hand it to her.
You have to remember the band you’re writing lyrics for is all guys. I know it’s hard to write from a male point of view, since you’re obviously not male. If you stop writing this song from your own point of view and try to feel it from a different point of view, the lyrics might come. Maybe it’s been hard because you know a guy will be singing it, but the feelings are coming from you. Just flip it around and see what happens.
She reads my note, then picks up the pen and shifts back on her bed. She looks at me and nods her head toward my guitar, indicating that she’ll give it a try. I scoot off the bed and onto the floor, then stand my guitar upright and pull it against my chest. When I’m working out chords to a new song, it helps to play this way sometimes so I can feel the vibrations more clearly.
I close my eyes, lean my head against the guitar, and begin playing.
Chapter Eleven
Sydney
Oh, God. He’s doing that thing again. The mesmerizing thing.
When I’ve seen him play his guitar like this in the past, it was before I knew he couldn’t hear himself play. I thought maybe he just played this way to get a different angle on the strings, but now I know he does it so he can feel the music better. I don’t know why, but knowing this makes me love watching him even more.