I run my hands up my arms, rubbing away the sudden onset of discomfort washing over me. I feel as if I’m watching my future play out in front of me. I’m not so sure I like what I’m imagining.
Am I ready for this?
Am I ready for this guy to be the guy I bring dinner to every night when he gets home from work?
Am I ready to fall into this comfortable life with him? One where I teach all day and he does people’s taxes, and then we come home and I cook dinner and I “grab him beers” while he props his feet up and calls me babe, and then we go to our bed and make love at approximately nine P.M. so we won’t be tired the next day, in order to wake up and get dressed and go to work and do it all over again?
“Earth to Sydney,” Hunter says. I hear him snap his fingers twice. “Beer? Please, babe?”
I quickly grab his beer, give it to him, then head straight to my bathroom. I turn the water on in the shower, but I don’t get in. Instead, I lock the door and sink to the floor.
We have a good relationship. He’s good to me, and I know he loves me. I just don’t understand why every time I think about a future with him, it’s not an exciting thought.
Ridge
Maggie leans forward and kisses my forehead. “I need to go.”
I’m on my back with my head and shoulders partially propped against my headboard. She’s straddling my lap and looking down at me regretfully. I hate that we live so far apart now, but it makes the time we do spend together a lot more meaningful. I take her hands so she’ll shut up, and I pull her to me, hoping to persuade her not to leave just yet.
She laughs and shakes her head. She kisses me, but only briefly, and then she pulls away again. She slides off my lap, but I don’t let her make it very far before I lunge forward and pin her to the mattress. I point to her chest.
“You”—I lean in and kiss the tip of her nose—“need to stay one more night.”
“I can’t. I have class.”
I grab her wrists and pin her arms above her head, then press my lips to hers. I know she won’t stay another night. She’s never missed a day of class in her life, unless she was too sick to move. I sort of wish she was feeling a little sick right now, so I could make her stay in bed with me.
I slide my hands from her wrists, delicately up her arms until I’m cupping her face. Then I give her one final kiss before I reluctantly pull away from her. “Go. And be careful. Let me know when you make it home.”
She nods and pushes herself off the bed. She reaches across me and grabs her shirt, then pulls it on over her head. I watch her as she walks around the room and gathers the clothes I pulled off her in a hurry.
After five years of dating, most couples would have moved in together by now. However, most peoples’ other halves aren’t Maggie. She’s so fiercely independent it’s almost intimidating. But it’s understandable, considering how her life has gone. She’s been caring for her grandfather since I met her. Before that, she spent the majority of her teenage years helping him care for her grandmother, who died when Maggie was sixteen. Now that her grandfather is in a nursing home, she finally has a chance to live alone while finishing school, and as much as I want her here with me, I also know how important this internship is for her. So for the next year, I’ll suck it up while she’s in San Antonio and I’m here in Austin. I’ll be damned if I ever move out of Austin, especially for San Antonio.
Unless she asked, of course.
“Tell your brother I said good luck.” She’s standing in my bedroom doorway, poised to leave. “And you need to quit beating yourself up, Ridge. Musicians have blocks, just like writers do. You’ll find your muse again. I love you.”
“I love you, too.”
She smiles and backs out of my bedroom. I groan, knowing she’s trying to be positive with the whole writer’s block thing, but I can’t stop stressing about it. I don’t know if it’s because Brennan has so much riding on these songs now or if it’s because I’m completely tapped out, but the words just aren’t coming. Without lyrics I’m confident in, it’s hard to feel good about the actual musical aspect of writing.