“I told you, honey, you need you a daddy. Listen, I been telling my man about you and he’s interested. Name’s Demond. He’s throwing a party next weekend and he wants to meet you, get you set up so you don’t gotta be out here worrying about nothing. How that sound?”
“I don’t know—”
“Oh, c’mon, Kia, just come to the party. Next Saturday night, 120 Thirty-Eighth Avenue.”
“I—”
Camila lets go of my face and waves her fingers. “I ain’t hearing it. I’ll see you next weekend.” And, just like that, Camila has twirled back around and is walking the outline of the slope like she owns it, back to the street, fading into a blue form that could be her or could be fire or something in between.
I stand still, facing the empty space that used to be Camila, and I know Alé’s teeth are grinding, her jaw locked. I can almost feel it boiling in her: all the questions, her eyes on my back. Maybe, if I’m still for long enough, I will fade into the sky and she will forget I ever existed, that I ever walked into La Casa Taquería today. Maybe she’ll forget how she fell from that board at the sight of me, how she skidded onto her back, how she’ll ache tomorrow morning.
I shut my eyes and still don’t disappear. A couple minutes pass and she speaks.
“Guess I shoulda known you got into some shit.” Her voice comes straight from the throat, like she’s holding so much more that she’s not letting out.
I turn around and look down at her.
“Were you gonna tell me?” she asks, her jaw moving side to side now, like if she moves it enough it will release all the hurt that I can see coming up out of her.
“I don’t know,” I tell her, and I really don’t. Telling her would have been like saying this is my life now, like committing to the streets. Letting the streets have you is like planning your own funeral. I wanted the streetlight brights, the money in the morning, not the back alleys. Not the sirens. But, here we are. Streets always find you in the daylight, when you least expect them to. Night crawling up to me when the sun’s out.
“I just don’t get it, Ki. You know what happened with Clara, so why you being so stupid?” She shakes her head, looks out at the two boys still trying to do some trick on the railing across the slope from us. “Why you doin’ this?”
“Don’t got no other choice,” I say.
“Nah.” Alé’s head shake increases until it’s a full swing and she gets up, grabbing her skateboard, her whole body shaking. She stands in front of me now and says, “Nah,” one more time with her body tremors before setting her board down on the cement, climbing on, pushing forward again and again until she’s halfway down the block and I’m standing above a skate park slope with nowhere left to go.
I started walking home from the skate park after a group of teenage boys showed up with their boards and hollered at me. It’s different walking in the city midday alone. Makes me feel like I have to sprout eyes in every direction and learn how to walk with more leg, less hip. I end up on a bus after a couple blocks and now I’m being dropped off right by the Regal-Hi, which is an off-putting color at this time of day, so close to white I’m not sure if I’ve been tricking myself into thinking it was blue this whole time.
Almost immediately after I get inside the apartment, my phone starts ringing. I pull it out of my pocket as quick as I can, thinking maybe it’s Alé. Instead, the phone flashes shauna and I pick up, even though every cell of my body says not to.
“Kiara.” Her voice sounds tired, and I can’t tell if it’s that new-mother kind of fatigue or if there’s something else mixed in with it.
“Yeah?”
“I don’t know what shit they on, but last week they showed up with new equipment and now Cole talking about some type of deal and how they real close to making it and I don’t know, girl, I don’t want no life like that.”
“What you talking about?”
“I don’t know what’s going on, but they getting themselves into some shit and I don’t think this the kind they can get out of. You gotta help me out.” Shauna’s voice escalates in pitch.
I sigh. I know what getting caught up in the streets can do to you, but I don’t know how to get out of it, how to help no one, especially Marcus. “Look, I don’t know what I can do about none of that.” I tell her I gotta go, that somebody’s at the door even though they’re not, and I hang up when she’s mid-sentence, the whole apartment going silent.