This boy standing in front of her looks like Bird and sounds like Bird. She’d know him anywhere, that face. But there’s something between them now, through which she can’t quite see or hear him clearly, something opaque and hard, a layer of tortoiseshell. As if he’s standing, always, just beyond arm’s length. Something has scarred over in him. Oh Bird, she thinks.
* * *
? ? ?
Upstairs, Bird peeks out into the hallway. No light, only a faint gibbous glow on the wall from the single lamp downstairs. He tiptoes past dark room after dark room. In the bathroom, the toilet and sink are green-streaked and grimy; moss stretches from the rusty bathtub in a lush carpet. Only one other room seems to be occupied. A bare mattress lies in one corner, an old table lamp, shadeless, squats beside it on the floor. His mother’s room. The sharp scent of sweat in the air. His mother, who’d planted flowers in the sunshine and whispered stories into his ears at night, has somehow become this strange woman lurking in the shadows. He wishes his father were here, to explain this. To help him understand. To decide what to do.
Back on the landing, the light from downstairs seems dingy, like something reused, and he has to guide himself by his fingertips all the way down the hall and back to his own lonely room.
* * *
? ? ?
When Bird wakes, Margaret is sitting on the floor by his bedside. Feet curled under her on the worn carpet, her gaze resting softly on his face. As if she’s been studying him in his sleep, patiently waiting for him to wake. Which she has.
What time is it, he croaks. Under the darkened windows it’s impossible to tell if it’s night or daylight.
Just past midnight, she says.
She’s brought him a mug of instant coffee. Which he doesn’t like, she can see it in his face, of course he doesn’t like it, what kind of mother brought her child coffee, she should have brought something else, though coffee is all she has. She is out of practice at this, at everything. But the mug is warm and cozy in the chill of the room, and he struggles to a seat, sips it. She sips hers, too. Bitter, but comforting. Like strong medicine.
The gas is shut off, she says. So no heat, no real cooking. Just a hot plate. But the water and power are still on. Which is all I need.
What is this place? he asks, but she doesn’t answer. There are other things she needs to explain first. Start at the beginning, she reminds herself. This is why you called him here.
Bird, she says, I want to show you something.
She takes him up another flight of stairs, to the third floor, where all the rooms are empty. Through their half-open doors, the bare hardwood looks like deep water: dark receding into darker. She’d gone into them once, when she first arrived. The dust had piled up in drifts, like snow. Old furniture, missing feet and legs, half-kneeling on the floor; an old record player with the record still on it, too scratched to play. Everywhere there were signs of the outside, creeping in, taking over. In the bathroom, one long arm of ivy had twined its way through a broken pane and was groping for the latch; in a bedroom she’d found a forest of mushrooms sprouting from the rain-soaked carpet beneath a crack in the wall.
Now, at the top of the steps, she reaches up into the shadows, feeling for the cord, and when she finds it and pulls, a trapdoor swings down, a ladder unfolds. Her instinct is to take his hand, to guide him, but she fights it. As she knows he would, too.
This way, she says, climbing up into the thick clouded gloom. Without waiting for him.
Behind her, she hears Bird setting a first hesitant foot on the bottom rung. She forces herself to keep on going, to keep walking away. To trust that he will follow. At the far end of the house, she stops and turns back to look at him for the first time. Her eyes are used to the dark, but his are not, and he follows more by sound than by sight, feeling his way with his hands, guiding himself by the beams that run underfoot like railroad tracks. It is dusty and cold, and small slivers of moonlight pierce their way through chinks in the siding, forming bars of light he ducks his head to avoid as he picks his way along the length of the attic. When he reaches her, she sets her shoulder against the hatch on the ceiling.
Here we are, she says, as the latch gives way with a shriek. Watch your step.
They step onto the flat roof into a pool of night. It is chilly, and the wind scrapes across the top of the city like a knife leveling flour from a cup, but as they emerge Margaret feels herself going soft at the corners. At the beauty of it all.
Around them, the city spreads out like a dropped cloth, all peaks and ridges and hidden folds. Even at this quiet hour, here and there bright ribbons of cars weave along the streets; in the distance a forest of steel trees stretches upward, grasping at the moon. She can just make out the starry glitter of far-off windows, reflecting shattered moonlight in their darkened panes. The roof is bare; all there is up here is the city, and the sky, and them. No railing, just the sharp clean edge giving way to the ground below. Beside her, she hears Bird catch his breath, and for a moment she sees him: her son, as she remembers him. Curious, alert. Eyes aglow. Marveling at how there is so much life, out there.