Portrait of a Scotsman （A League of Extraordinary Women #3）
Evie Dunmore
For Mama and Oma
Chapter 1
London, August 1880
As she hovered on the rain-soaked pavement in front of the Chelsea town house she was about to infiltrate, feeling hot beneath her woolen cloak, Hattie Greenfield couldn’t help but think back to the last time she had run from her protection officer. It had resulted in an altercation with a toad of a policeman and a dear friend being held at Millbank prison. She supposed all the most perilous adventures began with escaping dour Mr. Graves. All the best ones, too.
She eyed the lacquered front door atop the steps. The iron-cast lion’s maw holding the door knocker had absurdly long, pointy teeth. The warning that she was about to enter the lion’s den was almost too shrill to ignore for someone selectively superstitious. But this time, her adventure wasn’t an inherently risky women’s rights march on Parliament Square; it was a private art gallery tour. Perfectly harmless.
She lifted her skirts in one hand and began the ascent.
Her friends would point out that the gallery was owned by Mr. Blackstone, a man society had nicknamed Beelzebub, and that he also happened to be her father’s business rival, and no, she shouldn’t be found admiring his Pre-Raphaelites unchaperoned. However, it was safe to assume that Mr. Beelzebub wasn’t present; in fact, very few people had ever seen him in the flesh. Second, she had registered for the tour as Miss Jones, classics student at Cambridge, not as Harriet Greenfield, Oxford art student and banking heiress. Third, the full tour through his gallery of arts and antiques comprised a handful of other young art connoisseurs and likely their chaperones, and the invitation in her reticule said she was keeping them waiting. The tour had begun at two o’clock sharp and her small pocket watch was all but burning a hole through her bodice.
The thuds of the door knocker appeared to fade away unnoticed into the entrance hall beyond. She rang the bell.
Silence.
Beneath the hem of her plain cloak, her wet foot began to tap. They must have started the tour without her. She had climbed from the cab, which had become hopelessly stuck in rain and traffic soon after leaving Victoria Station, and had braved the remaining quarter of a mile on foot—for nothing? The pounding of iron on oak became insistent.
Or perhaps she had done it again. She fumbled for her reticule between the folds of her cloak and pulled out the invitation. She squinted at the address, then back at the house number with full attention. It was still number twelve Carlyle Square. The square was small; she doubted there was a house number one-and-twenty. She knocked again, and again.
The heavy door swung back unexpectedly.
The man facing her was not a butler. His thinning gray hair was disheveled, he wore a paint-stained apron, and he smelled pungently of … antique wax polish? She tried to assess without staring whether his long, lined face was familiar to her from the artistic circles. His assessment of her person wasn’t subtle: his gaze searched the empty space where a female companion should have been, then roamed from her sodden hem up to her undoubtedly frizzy red hair.
“And you’ll be?” he drawled.
She cleared her throat. “I’m here for the tour.”
“The tour?” Comprehension dawned in the man’s eyes. “The tour.”
“Yes.”
His thin lips curled with derision. “I see.”
She shifted from one foot to the other. “I’m afraid I was delayed on my journey. I have come all the way from outside London, you see, then my companion was … unwell, and then there was such dreadful traffic on Lyall Street because of the heavy rain; the roads are—”
“Come on, then,” he said, and abruptly stepped aside with a wave of his hand.
He was cross; male artists had this prerogative, to let it be known that they were cross when one interrupted their work.
No maid was in sight to take her cloak; in fact, the place felt yawningly empty. A nervous sensation fluttered in her belly. But the wax-polish man was already several paces ahead, his hasty footsteps echoing on the black-and-white tiles of the entrance hall.
“Sir.” She hurried after him, water squelching between her toes.
They turned into a shadowed corridor. To her left, intriguingly elegant lines of statues and vases beckoned, but not slipping on the floor in wet heels demanded her full attention. Ahead, the man had stopped and opened a door. He motioned for her to enter, but she hesitated on the doorstep, for while the room was brightly lit, there was no trace of the group. There was no one here at all. The painter flicked his fingers impatiently at the nearest settee. “Go on, take a seat.”