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Rebecca(30)

Author:Daphne Du Maurier

Two cocker spaniels came from the fireside to greet us. They pawed at Maxim, their long, silken ears strained back with affection, their noses questing his hands, and then they left him and came to me, sniffing at my heels, rather uncertain, rather suspicious. One was the mother, blind in one eye, and soon she had enough of me, and took herself with a grunt to the fire again, but Jasper, the younger, put his nose into my hand, and laid a chin upon my knee, his eyes deep with meaning, his tail a-thump when I stroked his silken ears.

I felt better when I had taken my hat off, and my wretched little fur, and thrown them both beside my gloves and my bag onto the window seat. It was a deep, comfortable room, with books lining the walls to the ceiling, the sort of room a man would move from never, did he live alone, solid chairs beside a great open fireplace, baskets for the two dogs in which I felt they never sat, for the hollows in the chairs had telltale marks. The long windows looked out upon the lawns, and beyond the lawns to the distant shimmer of the sea.

There was an old quiet smell about the room, as though the air in it was little changed, for all the sweet lilac scent and the roses brought to it throughout the early summer. Whatever air came to this room, whether from the garden or from the sea, would lose its first freshness, becoming part of the unchanging room itself, one with the books, musty and never read, one with the scrolled ceiling, the dark paneling, the heavy curtains.

It was an ancient mossy smell, the smell of a silent church where services are seldom held, where rusty lichen grows upon the stones and ivy tendrils creep to the very windows. A room for peace, a room for meditation.

Soon tea was brought to us, a stately little performance enacted by Frith and the young footman, in which I played no part until they had gone, and while Maxim glanced through his great pile of letters I played with two dripping crumpets, crumbled cake with my hands, and swallowed my scalding tea.

Now and again he looked up at me and smiled, and then returned to his letters, the accumulation of the last months I supposed, and I thought how little I knew of his life here at Manderley, of how it went day by day, of the people he knew, of his friends, men and women, of what bills he paid, what orders he gave about his household. The last weeks had gone so swiftly, and I—driving by his side through France and Italy—thought only of how I loved him, seeing Venice with his eyes, echoing his words, asking no questions of the past and future, content with the little glory of the living present.

For he was gayer than I had thought, more tender than I had dreamed, youthful and ardent in a hundred happy ways, not the Maxim I had first met, not the stranger who sat alone at the table in the restaurant, staring before him, wrapped in his secret self. My Maxim laughed and sang, threw stones into the water, took my hand, wore no frown between his eyes, carried no burden on his shoulder. I knew him as a lover, as a friend, and during those weeks I had forgotten that he had a life, orderly, methodical, a life which must be taken up again, continued as before, making vanished weeks a brief discarded holiday.

I watched him read his letters, saw him frown at one, smile at another, dismiss the next with no expression, and but for the grace of God I thought, my letter would be lying there, written from New York, and he would read it in the same indifferent fashion, puzzled at first perhaps by the signature, and then tossing it with a yawn to the pile of others in the basket, reaching for his cup of tea. The knowledge of this chilled me; how narrow a chance had stood between me and what might-have-been, for he would have sat here to his tea, as he sat now, continuing his home life as he would in any case, and perhaps he would not have thought of me much, not with regret anyway, while I, in New York, playing bridge with Mrs. Van Hopper, would wait day after day for a letter that never came.

I leaned back in my chair, glancing about the room, trying to instill into myself some measure of confidence, some genuine realization that I was here, at Manderley, the house of the picture postcard, the Manderley that was famous. I had to teach myself that all this was mine now, mine as much as his, the deep chair I was sitting in, that mass of books stretching to the ceiling, the pictures on the walls, the gardens, the woods, the Manderley I had read about, all of this was mine now because I was married to Maxim.

We should grow old here together, we should sit like this to our tea as old people, Maxim and I, with other dogs, the successors of these, and the library would wear the same ancient musty smell that it did now. It would know a period of glorious shabbiness and wear when the boys were young—our boys—for I saw them sprawling on the sofa with muddy boots, bringing with them always a litter of rods, and cricket bats, great clasp-knives, bows-and-arrows.

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