“Milord.” Pierre stood at the far end of the attics, where a narrow stair twirled down to a hidden exit behind the laundresses’ giant washtubs.
“What?” Matthew said impatiently.
“Agnes Sampson is dead.” Pierre looked frightened. “They took her to Castlehill in Edinburgh on Monday, garroted her, and then burned the body.” It was that night that I’d lost the baby, I realized with a touch of panic.
“Christ.” Matthew paled.
“Hancock said she was fully dead before the wood was lit. She wouldn’t have felt anything,” Pierre went on. It was a small mercy, one not always afforded to a convicted witch. “They refused to read your letter, milord. Hancock was told to leave Scottish politics to the Scottish king or they’d put the screws to him the next time he showed his face in Edinburgh.”
“Why can’t I fix this?” Matthew exploded.
“So it’s not just the loss of the baby that’s driven you toward Kit’s darkness. You’re hiding from the events in Scotland, too.”
“No matter how hard I try to set things right, I cannot seem to break this cursed pattern,” Matthew said. “Before, as the queen’s spy, I delighted in the trouble in Scotland. As a member of the Congregation, I considered Sampson’s death an acceptable price to pay to maintain the status quo. But now . . .”
“Now you’re married to a witch,” I said. “And everything looks different.”
“Yes. I’m caught between what I once believed and what I now hold most dear, what I once proudly defended as gospel truth and the magnitude of what I no longer know.”
“I will go back into the city,” Pierre said, turning toward the door. “There may be more to discover.”
I studied Matthew’s tired face. “You can’t expect to understand all of life’s tragedies, Matthew. I wish we still had the baby, too. And I know it seems hopeless right now, but that doesn’t mean there isn’t a future to look forward to—one in which our children and family are safe.”
“A miscarriage this early in pregnancy is almost always a sign of a genetic anomaly that makes the fetus nonviable. If that happened once . . .” His voice trailed off.
“There are genetic anomalies that don’t compromise the baby,” I pointed out. “Take me, for instance.” I was a chimera, with mismatching DNA. “I can’t bear losing another child, Diana. I just . . . can’t.”
“I know.” I was bone weary and wanted the blessed oblivion of sleep as much as he did. I had never known my child as he had known Lucas, and the pain was still unbearable. “I have to be at Goody Alsop’s house at six tonight.” I looked up at him. “Will you be out with Kit?”
“No,” Matthew said softly. He pressed his lips to mine—briefly, regretfully. “I’ll be with you.”
Matthew was true to his word, and escorted me to Goody Alsop’s before going to the Golden Gosling with Pierre. In the most courteous way possible, the witches explained that wearhs were not welcome. Taking a weaver safely through her forspell required a considerable mobilization of supernatural and magical energy. Wearhs would only get in the way.
My Aunt Sarah would have paid close attention to how Susanna and Marjorie readied the sacred circle. Some of the substances and equipment they used were familiar—like the salt they sprinkled on the floorboards to purify the space—but others were not. Sarah’s witch’s kit consisted of two knives （one with a black handle and one with a white）， the Bishop grimoire, and various herbs and plants. Elizabethan witches required a greater variety of objects to work their magic, including brooms. I’d never seen a witch with a broom except on Halloween when they were de rigueur, along with pointed hats.
Each of the witches of the Garlickhythe gathering brought a unique broom with her to Goody Alsop’s house. Marjorie’s was fashioned from a cherry branch. At the top of the staff, someone had carved glyphs and symbols. Instead of the usual bristles, Marjorie had tied dried herbs and twigs to the bottom where the central limb forked into thinner branches. She told me that the herbs were important to her magic—agrimony to break enchantments, lacy feverfew with the white-and-yellow flowers still attached for protection, the sturdy stems of rosemary with their glaucous leaves for purification and clarity. Susanna’s broom was made from elm, which was symbolic of the phases of life from birth to death and related to her profession as a midwife. So, too, were the plants tied to the staff: the fleshy green leaves of adder’s tongue for healing, boneset’s frothy white flower heads for protection, the spiky leaves of groundsel for good health.