“When you or I have done wrong, we settle our accounts with the gods and return to living with the hope of doing better in future. Ysabeau’s son confesses his sins and atones again and again—for his life, for who he is, for what he has done. He is always looking backward, and there is no end to it.”
“That’s because Matthew is a man of great faith, Philippe.” There was a spiritual center to Matthew’s life that colored his attitudes toward science and death.
“Matthew?” Philippe sounded incredulous. “He has less faith than anyone I have ever known. All he possesses is belief, which is quite different and depends on the head rather than the heart. Matthew has always had a keen mind, one capable of dealing with abstractions like God. It is how he came to accept who he had become after Ysabeau made him one of the family. For every manjasang it is different. My sons chose other paths— war, love, mating, conquest, the acquisition of riches. For Matthew it was always ideas.”
“It still is,” I said softly.
“But ideas are seldom strong enough to provide the basis for courage. Not without faith in the future.” His expression turned thoughtful. “You don’t know your husband as well as you should.”
“Not as well as you do, no. We’re a witch and a vampire who love even though we’re forbidden to do so. The covenant doesn’t permit us lingering public courtship and moonlight strolls.” My voice heated as I continued. “I can’t hold his hand or touch his face outside of these four walls without fearing that someone will notice and he will be punished for it.”
“Matthew goes to the church in the village around midday, when you think he is looking for your book. It’s where he went today.” Philippe’s remark was strangely disconnected from our conversation. “You might follow him one day. Perhaps then you would come to know him better.”
I went to the church at eleven on Monday morning, hoping to find it empty. But Matthew was there, just as Philippe had promised. He couldn’t have failed to hear the heavy door close behind me or my steps echoing as I crossed the floor, but he didn’t turn around. Instead he remained kneeling just to the right of the altar. In spite of the cold, Matthew was wearing an insubstantial linen shirt, breeches, hose, and shoes. I felt frozen just looking at him and drew my cloak more firmly around me.
“Your father told me I’d find you here,” I said at last, into the resonant silence.
It was the first time I’d been in this church, and I looked around with curiosity. Like many religious buildings in this part of France, SaintLucien’s house of worship was already ancient in 1590. Its simple lines were altogether different from the soaring heights and lacy stonework of a Gothic cathedral. Brightly colored murals surrounded the wide arch separating the apse from the nave and decorated the stone bands that topped the arcades underneath the high clerestory windows. Most of the windows opened to the elements, though someone had made a halfhearted attempt to glaze those closest to the door. The peaked roof above was crisscrossed by stout wooden beams, testifying to the skills of the carpenter as well as the mason.
When I’d first visited the Old Lodge, Matthew’s house had reminded me of him. His personality was evident here, too, in the geometric details carved into the beams and in the perfectly spaced arches that spanned the widths between columns.
“You built this.”
“Part of it.” Matthew’s eyes rose to the curved apse with its image of Christ on His throne, one hand raised and ready to mete out justice. “The nave, mostly. The apse was completed while I was . . . away.”
The composed face of a male saint stared gravely at me from over Matthew’s right shoulder. He held a carpenter’s square and a long-stemmed white lily. It was Joseph, the man who asked no questions when he took a pregnant virgin for a wife.
“We have to talk, Matthew.” I surveyed the church again. “Maybe we should move this conversation to the chateau. There’s nowhere to sit.” I had never thought of wooden pews as inviting until I entered a church without them.
“Churches weren’t built for comfort,” Matthew said.
“No. But making the faithful miserable couldn’t have been their only purpose.” I searched the murals. If faith and hope were intertwined as closely as Philippe suggested, then there might be something here to lighten Matthew’s mood.
I found Noah and his ark. A global disaster and the narrowly avoided extinction of all life-forms were not auspicious. A saint heroically slew a dragon, but it was too reminiscent of hunting for my comfort. The entrance of the church was dedicated to the Last Judgment. Rows of angels at the top blew golden trumpets as the tips of their wings swept the floor, but the image of hell at the bottom—positioned so that you couldn’t leave the church without making eye contact with the damned—was horrifying. The resurrection of Lazarus would be little comfort to a vampire. The Virgin Mary wouldn’t help either. She stood across from Joseph at the entrance to the apse, otherworldy and serene, another reminder of all that Matthew had lost.