Oriana clasps her hands together and walks over to her dressing table. Her jewelry hangs there—slices of agate on long chains of raw crystal beads, collars set with moonstones, deep green bloodstones strung together, and an opal pendant, bright as fire in the sunlight. And on a silver tray, beside a pair of ruby earrings in the shape of stars, is a golden acorn.
A golden acorn, twin to the one I found in the pocket of the gown that Locke gave me. The dress that had belonged to his mother. Liriope. Locke’s mother. I think of her madcap, joyful dresses, of her dust-covered bedroom. Of how the acorn in her pocket opened to show a bird inside.
“I tried to convince Madoc that Oak was too young and that this dinner will be too dull, but Madoc insisted that he come. Perhaps you can sit beside him and keep him amused.”
I think about the story of Liriope, of how Oriana told it to me when she believed I was getting too close to Prince Dain. Of how Oriana had been a consort to the High King Eldred before she was Madoc’s wife. I think about why she might have needed to make a swift marriage, what she might have had to hide.
I think about the note I found on Balekin’s desk, the one in Dain’s hand, a sonnet to a lady with sunrise hair and starlit eyes.
I think about what the bird said: My dearest friend, these are the last words of Liriope. I have three golden birds to scatter. Three attempts to get one into your hand. I am too far gone for any antidote, and so if you hear this, I leave you with the burden of my secrets and the last act of my heart. Protect him. Take him far from the dangers of this Court. Keep him safe, and never, ever tell him the truth of what happened to me.
I think again about strategy, about Dain and Oriana and Madoc. I recall when Oriana first came to us. How quickly Oak was born and how we weren’t allowed to see him for months because he was so sickly. About how she has always been protective of him around us, but maybe that was for one reason, when I had assumed another.
Just as I’d assumed the child Liriope wanted her friend to take was Locke. But what if the baby she had been carrying didn’t die with her?
I feel as though I’ve been robbed of breath, as if getting out words is a struggle against the very air in my lungs. I cannot quite believe what I am about to say, even as I know it’s the conclusion that makes sense. “Oak isn’t Madoc’s child, is he? Or, at least, no more Madoc’s than I am.”
If the boy is born, Prince Dain will never be king.
Oriana claps a hand over my mouth. Her skin smells like the air after a snowfall. “Don’t say that.” She speaks close to my face, voice trembling. “Do not ever say that again. If you ever loved Oak, do not say those words.”
I push her hand away. “Prince Dain was his father and Liriope his mother. Oak is the reason Madoc backed Balekin, the reason he wanted Dain dead. And now he’s the key to the crown.”
Her eyes widen, and she takes my chilly hand in hers. She has never not seemed strange to me, like a creature from a fairy tale, pale as a ghost. “How could you know that? How could you know any of this, human child?”
I had thought Prince Cardan was the most valuable individual in all of Faerie. I had no idea.
Swiftly, I shut the door and close up her balcony. She watches me and doesn’t protest. “Where is he now?” I ask her.
“Oak? With his nurse,” she whispers, drawing me toward the little divan in one corner, patterned with a snake brocade and covered in a fur. “Talk quickly.”
“First, tell me what happened seven years ago.”
Oriana takes a deep breath. “You might think that I would have been jealous of Liriope for being another of Eldred’s consorts, but I wasn’t. I loved her. She was always laughing, impossible not to love—even though her son has come between you and Taryn, I cannot help loving him a little, for her sake.”
I wonder what it was like for Locke to have his mother be the lover of the High King. I am torn between sympathy and a desire for his life to have been as miserable as possible.