“Wow,” I say. I have ridden by here and seen those spires in the distance, but I never knew to whose house they belonged. “Beautiful.”
He gives me a quick grin. “Let’s go inside.”
Although there is a pair of grand doors in the front, he takes me around to a small door on the side that leads directly to the kitchens. A fresh loaf of bread rests on the counter, along with apples, currants, and a soft cheese, but I do not see any servants who might have prepared this.
I think, involuntarily, of the girl in Hollow Hall cleaning Cardan’s fireplace. I wonder where her family thinks she is and what bargain she made. I wonder how easily I could have been her.
“Is your family home?” I ask, pushing that thought away.
“I have none,” he tells me. “My father was too wild for the Court. He liked the deep, feral woods far better than my mother’s intrigues. He left, and then she died. Now it’s just me.”
“That’s terrible,” I say. “And lonely.”
He shakes off my words. “I’ve heard the story of your parents. A tragedy suitable for a ballad.”
“It was a long time ago.” The last thing I want to talk about is Madoc and murder. “What happened to your mother?”
He makes a dismissive gesture in the air. “She got involved with the High King. In this Court, that’s enough. There was a child—his child, I suppose—and someone didn’t want it born. Blusher mushroom.” Although he began his speech airily, it doesn’t end that way.
Blusher mushroom. I think of the letter I found in Balekin’s house from Queen Orlagh. I try to convince myself that the note could not have referred to the poisoning of Locke’s mother, that Balekin had no motive when Dain was already the High King’s chosen heir. But no matter how I try to convince myself, I cannot stop thinking about the possibility, of the horror, of Nicasia’s mother having had a hand in Locke’s mother’s death. “I shouldn’t have asked—that was rude of me.”
“We are children of tragedy.” He shakes his head and then smiles. “This is not how I meant to begin. I meant to give you wine and fruit and cheese. I meant to tell you how your hair is as beautiful as curling woodsmoke, your eyes the exact color of walnuts. I thought I could compose an ode about it, but I am not very good at odes.”
I laugh, and he covers his heart as though stung by cruelty. “Before I show you the maze, let me show you something else.”
“What’s that?” I ask, curious.
He takes my hand. “Come,” he says, prankish, leading me through the house. We come to spiraling stairs. Up we go, up and up and up.
I feel dizzy. There are no doors and no landings. Just stone and steps and my heart beating loud in my chest. Just his slanted smiles and amber eyes. I try not to stumble or slip as I climb. I try not to slow down, no matter how light-headed I feel.
I think of Valerian. Jump from the tower.
I keep climbing, taking shallow breaths.
You are nothing. You barely exist at all.
When we get to the top, there’s a small door—half our height. I lean against the wall, waiting for my balance to return, and watch Locke turn the elaborate silver knob. He ducks as he goes in. I steel myself, push off the wall, and follow.
And gasp. We’re on a balcony at the very top of the tallest tower, one higher than the tree line. From here, lit by starlight, I can see the maze below and the folly in the center. I can see the aboveground parts of the Palace of Elfhame and Madoc’s estate and Balekin’s Hollow Hall. I can see the sea that encircles the island and beyond it, the bright lights of human cities and towns through the ever-present mist. I have never looked directly from our world into theirs.
Locke puts his hand against my back, between my shoulder blades. “At night, the human world looks as though it’s full of fallen stars.”