And I was left to my own devices.
I knew where to go, because I’d visited the old editor enough times to be able to walk the halls blindfolded. Tabitha Margraves had retired recently, at the absolute worst time, and with every step closer to the office, I held tighter on to the poor cactus.
Tabitha knew I ghostwrote for Ann. She and Ann’s agent were the only ones who did—well, besides Rose, but Rose didn’t count. Had Tabitha passed that nugget of secrecy to my new editor? God, I hoped so. Otherwise this was going to be an awkward first meeting.
The hallway was lined with frosted glass walls that were supposed to be used for privacy, but they provided extraordinarily little of that. I heard editors and marketing and PR shadows talking in hushed tones about acquisitions, marketing plans, contractual obligations, tours . . . reallocating money from one book’s budget to another.
The things in publishing that no one ever really talked about.
Publishing was all very romantic until you found yourself in publishing. Then it was just another kind of corporate hell.
I passed a few assistant editors sitting in their square cubicles, manuscripts piled almost to the top of their half walls, looking frazzled as they ate carrots and hummus for lunch. The salads Erin ordered must not have included them, not that editorial assistants made enough to afford eating out every day. The offices were set up in a hierarchy of sorts, and the farther you went, the higher the salary. At the end of the hall, I almost didn’t recognize the office. Gone were the floral wreath hanging on the door for good luck and the stickers plastered to the frosted glass privacy wall that read Try Not, Do! and Romance Isn’t Dead!
For a second, I thought I’d made a wrong turn, until I recognized the intern in her small cubicle, stuffing ARCs—Advance Reader Copies, basically rough drafts of a book in paperback form—into envelopes with a harried sort of frenzy that bordered on tears.
My new editor didn’t waste any time peeling off those decals and tossing the good luck wreath in the trash. I didn’t know if that was a good sign—or bad.
Toward the end of her tenure at Falcon House, Tabitha Margraves and I butted heads more often than not. “Romance believes in happy endings. Tell Ann that,” she would say, tongue in cheek, because, for all intents and purposes, I was Ann.
“Well Ann doesn’t anymore,” I would quip back, and by the time she turned in her resignation and retired down to Florida, I’m sure we were both plotting each other’s demise. She still believed in love—somehow, impossibly.
And I could see right through the lie.
Love was putting up with someone for fifty years so you’d have someone to bury you when you died. I would know; my family was in the business of death.
Tabitha called me crass when I told her that.
I said I was realistic.
There was a difference.
I sat down in one of the two chairs outside of the office, the cactus in my lap, to wait and scroll through my Instagram feed. My younger sister had posted a photo of her and my hometown mayor—a golden retriever—and I felt a pang of homesickness. For the weather, the funeral parlor, my mom’s amazing fried chicken.
I wondered what she was cooking tonight for dinner.
Lost in my thoughts, I didn’t hear the office door open until a distinctly male voice said, “Sorry for the wait, please come in.”
I bolted to my feet in surprise. Did I have the wrong office? I checked the cubicles—the brown-haired workaholic intern cramming ARCs into envelopes to the left, the HR director sobbing into his salad on the right—no, this was definitely the right office.
The man cleared his throat, impatiently waiting.
I hugged the cactus so tight to my chest, I could feel the pot beginning to creak with the pressure, and stepped into his office.