“Urgh,” she groans. “I don’t know if I should chance it. It’s a rental car and I literally have no idea what I’m supposed to do if it gets clamped or towed. My agent sorts car stuff out for me. I don’t drive in New York.” She turns to me, clearly preoccupied. “Seriously, it’s fine if you want to go in first, I don’t mind. I just need to feed the meter.”
She’s quite worried, her earlier confidence strangely absent. I feel my guilt rising. Might she get towed? I hadn’t considered that. I don’t know what I’d do if that happened to my car either. “Do they do that in LA, tow you, if your parking runs out?” I ask.
She’s still not really listening as she fumbles for her wallet. “Dunno, but I don’t want to find out.”
The casting director reappears. “Whenever you’re ready, ladies,” she chirps passive-aggressively before disappearing again.
I feel my stress levels rising now. I’m not going in next with the casting director in that mood. No way. And it’s out of my mouth before I can stop it. “I’ll feed the meter for you. Just go.”
Emily pauses mid-bag-scramble. “Seriously?” She seems suddenly caught off guard as she takes a second to think it through. “Uh. Okay.” She flicks a glance down to the wallet and keys in her hands, realizing she’ll have to hand them over to a stranger.
And suddenly I find that I’m now the one trying to convince her. “It’s fine,” I assure her. “It’ll only take me a second. It’s just downstairs, right?”
“Yeah.” Her forehead creases as she looks back toward the audition room, her wallet held tight in her hand. Then her eyes land back on me decisively. “Yes. Okay. Okay, great! Here.” She hastily hands me her wallet. “It’s the meter for the white Chevrolet. Oh, and take these just in case you have to move it to the next bay if it’s reached a limit or something.” She quickly pushes the car keys into my hand too. Then she straightens her outfit and grabs her script. “Great. Thanks. I owe you one. It’s Mia, right?” She beams over her shoulder. I nod and she slips into the darkness of the casting studio.
I find her car two spaces from mine. A clean white Chevrolet as basic as a rental car comes.
The parking meter has no minutes left on it. I squint at the faded digital readout. It ran out twenty minutes ago. Why the hell didn’t she come down and top it up earlier? I suppose she got her timings wrong. There’s no fine yet, thankfully. I scan the street for traffic wardens but I have no idea what a California traffic warden looks like so quickly give up. There’s no one on the street anyway.
I carefully read the blurb on the parking meter. I put two hours on my car when I got here. But it doesn’t say anything about exceeding a maximum stay on her bay so I guess I don’t need to move her car for her, thank God. It suddenly occurs to me how annoying and time consuming that would actually have been as the bays here are full and I wonder why on earth she would suggest I do that in the first place. And why on earth she gave a complete stranger her bank card. I guess neither of us is particularly good under pressure—which, I note, might not bode well for our choice of career.
As I fumble through her wallet I wonder why I felt the need to do this. I guess I felt obligated. I don’t know. I couldn’t help notice the break in her cool. The change in her demeanor—the genuine fear. I think getting this audition could possibly mean more to her than it does to me. Although I have to remind myself that I didn’t offer to help solely for her benefit. I just didn’t want to go in early without being prepared.
I slide her card into the slot, select another hour on the meter, and Emily’s parking meter dial shoots up to one forty-five.
And all things considered, I head back to the casting office feeling pretty good about myself.
7
A Rose by Any Other Name
WEDNESDAY, FEBRUARY 10