On your guard.
Yes. But never in his life had he felt such a deadly need for sleep. It would take him soon enough; if he didn’t give in willingly, sleep would rape him.
And while he slept, Detta would come.
Detta.
Eddie fought the weariness, looked at the unmoving hills with eyes which felt swollen and heavy, and wondered how long it might be before Roland came back with the third—The Pusher, whoever he or she was.
“Odetta?” he called without much hope.
Only silence answered, and for Eddie the time of waiting began.
THE
PUSHER
CHAPTER 1
Bitter Medicine
1
When the gunslinger entered Eddie, Eddie had experienced a moment of nausea and he had had a sense of being watched （this Roland hadn’t felt; Eddie had told him later）。 He’d had, in other words, some vague sense of the gunslinger’s presence. With Detta, Roland had been forced to come forward immediately, like it or not. She hadn’t just sensed him; in a queer way it seemed that she had been waiting for him—him or another, more frequent, visitor. Either way, she had been totally aware of his presence from the first moment he had been in her.
Jack Mort didn’t feel a thing.
He was too intent on the boy.
He had been watching the boy for the last two weeks.
Today he was going to push him.
2
Even with the back to the eyes from which the gunslinger now looked, Roland recognized the boy. It was the boy he had met at the way station in the desert, the boy he had rescued from the Oracle in the Mountains, the boy whose life he had sacrificed when the choice between saving him or finally catching up with the man in black finally came; the boy who had said Go then—there are other worlds than these before plunging into the abyss. And sure enough, the boy had been right.
The boy was Jake.
He was holding a plain brown paper bag in one hand and a blue canvas bag by its drawstring top in the other. From the angles poking against the sides of the canvas, the gunslinger thought it must contain books.
Traffic flooded the street the boy was waiting to cross—a street in the same city from which he had taken the Prisoner and the Lady, he realized, but for the moment none of that mattered. Nothing mattered but what was going to happen or not happen in the next few seconds.
Jake had not been brought into the gunslinger’s world through any magic door; he had come through a cruder, more understandable portal: he had been born into Roland’s world by dying in his own.
He had been murdered.
More specifically, he had been pushed.
Pushed into the street; run over by a car while on his way to school, his lunch-sack in one hand and his books in the other.
Pushed by the man in black.
He’s going to do it! He’s going to do it right now! That’s to be my punishment for murdering him in my world—to see him murdered in this one before I can stop it!
But the rejection of brutish destiny had been the gunslinger’s work all his life—it had been his ka, if you pleased—and so he came forward without even thinking, acting with reflexes so deep they had nearly become instincts.
And as he did a thought both horrible and ironic flashed into his mind: What if the body he had entered was itself that of the man in black? What if, as he rushed forward to save the boy, he saw his own hands reach out and push? What if this sense of control was only an illusion, and Walter’s final gleeful joke that Roland himself should murder the boy?
3