He takes me in fully now and I realize I’ve stopped breathing. I couldn’t break his gaze if I wanted to, and for some reason it suddenly seems deeply important that I’m not the one to look away first. Half-challenge, half-invitation – though to what I do not know.
After a moment the skin around his eyes creases, something amusing. For not backing down I am rewarded with a smile.
One thing is for sure now: I have Robert Holbeck’s attention. For better or for worse, he sees me. And I see him.
6 Dinner
Thursday 24 November
The table is laid, twelve crystal glasses gleam with claret in the candlelight.
On the walls above us hang oil paintings that seem to date back as far as the first Dutch American colonies. The Holbecks’ ancestry. No doubt the paintings are priceless, but I wonder how the living Holbecks can stand to have the dead ones staring down at them. Family members long gone, their milky eyes watching while the living make merry, oblivious, or long inured, to their persistent gazes.
At the head of the table Robert is flanked to his right by Nancy and a glistening-eyed Matilda. He clearly appreciates the company of women.
As my eyes play over the other guests, I understand that the family’s ranking system is in evidence in tonight’s seating plan; the heart of the Holbeck machine, and its inner workings, made visible. I’m seated as far from the seat of power as it is possible to be, slotted neatly between two other minor plus-ones: Oliver’s wife Fiona and Stuart’s girlfriend of two years, Lila Erikson.
Lila leans in, conspiratorial as she unfurls her napkin. ‘They’re creepy, right?’ For a second, I’m certain she means our hosts, but then her eyes travel up to the faces hanging silently above us, the gaunt white visages looming from the walls. ‘I hate them,’ she chuckles, and grabs for her drink. ‘Bunch of creepy-assed colonists. Oh yeah, and lest we forget, “Happy Thanksgiving”。’ I let out a snort of laughter and she clinks her glass of wine with my glass of water. ‘Cheers.’
Across the table Edward throws me a rallying smile. I smile back, grateful to have been placed beside someone I can actually talk to.
‘No wine, Ms Reed?’ a voice behind me enquires loudly. The grey-clad butler proffers a decanter that I had seamlessly managed to swerve on its first round of the table. But this guy isn’t going to back down quite as easily as the previous server. I weigh my next move.
What would draw less attention: outright turning alcohol down or pouring it and not drinking it?
Lila’s interest is piqued by my hesitancy, so I bite the bullet.
‘No, no wine, thanks.’ I give a grateful smile but the butler doesn’t flinch.
‘Perhaps you’d care for a white instead? Or a cocktail, maybe,’ he asks, managing to imbue the word ‘cocktail’ with a whole spectrum of negative connotations. I notice a few eyes around the table flit to us with interest.
‘No, no, thank you. I’ll just stick with the water for now. No need to—’
Eleanor chips in now too. ‘It really is no trouble, Harriet. If you’d like a different drink? Whatever you’d prefer, we can get for you. I should have checked beforehand, your drink, of course,’ she admonishes herself. Now that our hostess is involved, conversation drops off around the table, and as Edward goes to speak, I start to babble.
‘No, no. I love red wine. Love alcohol in general, but I’m just not… tonight. Honestly, water is fine. I’m… basically… I’m not drinking at the moment.’
God, now I just sound like an alcoholic.
Stuart must agree because it’s his turn to dive in. ‘Yeah, I’m not drinking at the moment either. We unhappy few, we band of brothers.’ He toasts me with his glass coke bottle. Great, they all think I’m in AA now.