Home > Books > The Golden Enclaves (The Scholomance, #3)(71)

The Golden Enclaves (The Scholomance, #3)(71)

Author:Naomi Novik

By the third level down, I wasn’t sweating anymore, and I also didn’t have the slightest doubt: the Scholomance was here, somewhere, close by, and whoever had built this place had known exactly what they were doing.

The voices of all the tourists, dozens of conversations in dozens of languages, were bouncing back and forth off the walls and blurring together into a wordless clamoring, deep and insistent: a Greek chorus speaking urgently to you from the other side of a wall, trying to tell you something important. It didn’t seem to matter what they were saying, whether they were laughing or leaning over the edge to take photos; the echoes took everything and mashed it into the single low reverberating message.

The world above had been swallowed up by the dark inside the walls: it had receded into a round white circle of sky, too bright to look at from down here. I didn’t want to keep going, but the walkway was too narrow to pause for long, people crowding behind us and in front of us, pushing us onward. Anyway, I had to keep going. We had to keep going down. We had to go in.

In a city, you wanted your enclave entrance to be as hidden as you could manage, so you could slip in and out of it easily, without drawing attention. If a mundane ever caught sight of a wizard going into an enclave, disappearing impossibly through a wall—that would have cost the enclave an enormous amount of mana, if it didn’t literally make the entrance collapse.

But no one went in and out of the physical doors of the Scholomance on a daily basis. As students, we were brought in through the induction spell that whisked us in an incorporeal form through the gates and wards all the way up to our freshman dormitories, at hideous expense, during the tiny window of opportunity right after the mals were gorged from graduation or had been cleansed. And at graduation, we walked back out through the doors, but we didn’t pop out into Portugal; the portal spell just sent us back whence we’d come.

The only things that used the doors were the mals, and this packed-solid river of mundanes would only make it harder for them to get through. The builders had started with parties and elaborate ceremonies—the owner had surely been a wizard himself, or maybe just the architect; in any case they’d made the place a destination for mundanes from the start. And then they’d traded off the solemnity of the fake rituals for the sheer masses of tour groups.

When once in four decades the enclaves did need to send something through the doors into the graduation hall—like New York’s golems installing the new cafeteria equipment after the war—they presumably just hired the whole place out, claimed to be a film crew, and perhaps put out a documentary while they were at it. A documentary that would bring even more tourists here, to go through the ritual over and over and over, each one putting in just a little bit of mana in between the selfies—a moment of delight and wonder, a hint of unease, the half a second when they shut their eyes and imagined they were here alone, put themselves willingly into the story that the guidebooks and the pamphlets told them of initiation, and willingly went in, going down into the pitch dark below.

The well deposited us in a misshapen tunnel with many branches that didn’t go anywhere, made of weirdly soft limestone, as if they’d been chewed open by something living. The weight of the earth was palpable overhead, and the cheap LED lightstrip they had set up to keep people from tripping didn’t make it less terrible, partly because it so clearly didn’t belong: it was only a feeble struggling effort to hold off the dark. There were no faces even in the crowd. People talked and muttered and someone screamed with laughter somewhere up ahead. Tears were glazing my eyes, blurring the orange light, and my breath was loud in my own ears. All I wanted was to keep going towards the gleams of light that I could just glimpse every once in a while up ahead, along the streaming river of tourists. I wanted to keep going and get out, escape along with them. That was the other reason they’d built this elaborate passageway: to make unsuspecting mundanes walk through the same journey that they hoped for their own children to make, the journey down to the smothering awful dark and back out again on the other side.

But there was a tiny thread of cold air coming at me along the side of the wall, with a faint familiar smell of ozone and iron and machine oil, and a hint of rotting compost: the smell of the Scholomance. I breathed it in, and felt in my gut how close I was, how close we were, and I stopped going along with the river of people. None of them really knew that I was here. None of them could see me. I was just one of a thousand shadows moving with them in the dark, I didn’t matter, and they wouldn’t even notice, they didn’t notice, when I stepped into the next dark tunnel branching and stopped being there.

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