The Horsewoman by James Patterson
This book could not have been written without Taylor and Hannah Lupica, mother and daughter, whose love for show jumping, and for each other, informs every page of our book.
—M. L.
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“Little （Horse） Woman”
YouTube.com
1.5 million views
Originally posted: January 15, 2012
THE VIDEO SHOWS a little girl alone in her bedroom. Maybe she is ten years old, maybe a bit older than that. As we watch her, she carefully places a small stool in front of her full-length mirror. The camera pans to shelves filled with trophies and walls papered with brightly colored ribbons, almost all imprinted with the image of a horse.
As she turns slightly, we see that one of the ribbons is hanging from a string around her neck. She squares herself in front of the plastic stool, as if about to step onto a medal stand, then pauses to reach down and press a button on her phone.
We hear our national anthem begin to play. Now the girl, her long hair in a ponytail, beautiful face solemn, places a hand over her heart, and stands at attention.
That girl was me once.
Then I grew up.
It’s like one of my trainers would tell me, much later: Shit happens.
ONE
EVEN IN A HORSE FAMILY, I was the black sheep.
I was late getting to the barn the morning everything changed, for me and for all of us. Even the horses.
It was said at Atwood Farm that I was operating on Becky Standard Time. BST. Whenever I made excuses for being late, my trainer, Daniel, shortened it to BS.
New Year’s Eve was still a few days away, but today my reason was simple enough: I’d been out way too late the night before and ended up crashing at a friend’s house, where I’d blown through two alarms on my phone.
Sunday night was party night for the horse people in Wellington, a Florida town built around the horse business—the Winter Equestrian Festival, the dressage show across Southshore Boulevard, and the Masters Series for jumpers at Deeridge Farm.
There were no events at the WEF on Monday or Tuesday, so I headed out with riders and trainers and grooms and owners, even the polo players who’d spent the weekend competing at the International Polo Club. I was one of those college kids who liked to party.
I hadn’t learned anything about riding last night. But I had woken up with the Monday-morning lesson that drinking tequila with polo players makes me feel as if one of them had taken a mallet and hit me in the head.
My name is Becky McCabe. Short for Rebecca. Just Rebecca of Sunnybrook Farm—one of the stories my mom used to read to me when I was little—but Rebecca of Atwood Farm, owned by my grandmother, Caroline Atwood.
She’d never been a Granny or Gran or some other nickname. That wasn’t her. She was just “Grandmother.” Or “Caroline.” Nothing more cuddly than that. “The grandmother,” like it was her official position, was another way I thought of her, maybe the way that described her best.
“Your mother’s on her way to the Olympics,” Grandmother had said the night before. “And you’re on your way to the bar.”
I’d grown up watching her stop horses in the ring with just the snap of her voice, like she was cracking a whip. I once told her during an argument that she was a lot like those horses—only they were nicer.
“I’m not Mom,” I said.
“Not exactly breaking news at this point,” Grandmother said.
“You keep forgetting I’m twenty-one, Grandmother,” I said.
“And proud of it,” she said.
She was seventy-two, proud that she still owned the barn that she and her late husband, Clint, a legendary horseman, my grandfather, had built together. She was still a great beauty, even in an Atwood Farm navy windbreaker, jeans, and boots, her steel-gray hair pulled into a ponytail. I could see Mom in her. And myself.
Now I was pulling into the driveway at nine thirty—no one at Atwood Farm’s definition of an early start time—having just blown through a couple of lights on Southshore Boulevard, hoping this might be the one morning of the whole year—or of her whole life—when my mom, Maggie, had gotten a late start on her trail ride.
No chance.
Noticing again how run-down our barn looked from the outside, I ran for the tack room, where I kept spare riding clothes in a locker. One of our grooms, Emilio, was leaning against the wall where the bridles were hung, arms crossed in front of him and sadly shaking his head.