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The Hunchback of Notre Dame(197)

Author:Victor Hugo

As he approached it, he fancied that he might perhaps find her there. When, at the turn of the gallery opening upon the roof of the side-aisle, he caught sight of the narrow cell with its tiny door and window nestling under a huge flying buttress, like a bird’s nest under a branch, his heart failed him,—poor man!—and he leaned against a pillar lest he should fall. He imagined that she might perhaps have returned; that a good genius had undoubtedly brought her back; that the cell was too quiet, too safe, and too attractive for her not to be there; and he dared not take another step for fear of destroying his illusion. “Yes,” he said to himself, “she is asleep, or saying her prayers. I won’t disturb her.”

At last he summoned up all his courage, advanced on tiptoe, looked, entered. Empty,—the cell was still empty. The unhappy deaf man slowly walked about it, lifted the bed and looked under it, as if she might be hidden between the mattress and the stones; then he shook his head, and stood staring stupidly. All at once he trampled his torch furiously under foot, and without a word, without a sigh, he threw himself headlong against the wall, and fell fainting on the floor.

When he came to his senses, he flung himself upon the bed; he rolled upon it; he kissed frantically the place, still warm, where the young girl had slept; he lay there for some moments as motionless as if about to die; then he rose, streaming with perspiration, panting, insensate, and began to beat his head against the wall with the frightful regularity of the clapper of one of his own bells, and the resolution of a man who is determined to dash out his brains. At last he fell exhausted for the second time; he dragged himself from the cell on his knees, and crouched before the door in an attitude of wonder.

Thus he remained for more than an hour without stirring, his eye fixed upon the empty cell, sadder and more pensive than a mother seated between an empty cradle and a coffin. He did not utter a word; only at long intervals a sob shook his whole body convulsively; but it was a dry, tearless sob, like summer lightning, which is silent.

It seems that it was then that, seeking in his desolate thoughts to learn who could have been the unlooked-for ravisher of the gipsy, his mind reverted to the archdeacon. He remembered that Dom Claude alone had a key to the staircase leading to the cell. He recalled his midnight attempts upon the girl,—first, in which he, Quasimodo had helped him; the second, which he had foiled. He remembered a thousand details, and soon ceased to doubt that the archdeacon had stolen the gipsy from him. However, such was his respect for the priest, his gratitude, his devotion, his love for the man were so deeply rooted in his heart, that they resisted, even at this moment, the claws of jealousy and despair.

He considered that the archdeacon had done this thing, and the thirst for blood and murder which he would have felt for another were turned in the poor deaf man to added grief where Claude Frollo was concerned.

Just as his thoughts were thus concentrated upon the priest, as dawn whitened the flying buttresses, he saw on the upper story of Notre-Dame, at the angle formed by the outer railing which runs round the chancel, a moving figure. The figure was walking towards him. He recognized it. It was the archdeacon.

Claude advanced with grave, slow pace. He did not look before him as he walked. He was going towards the north tower; but his face was turned aside towards the right bank of the Seine, and he held his head erect, as if trying to see something over the roofs. The owl often carries its head in this crooked position; it flies towards one point, and looks in another. The priest thus passed above Quasimodo without seeing him.

The deaf man, petrified by this sudden apparition, saw him disappear through the door of the staircase in the north tower. The reader knows that this tower is the one from which the Hotel de Ville is visible. Quasimodo rose, and followed the archdeacon.

Quasimodo climbed the tower stairs, intending to go to the top, to learn why the priest was there; yet the poor ringer knew not what he, Quasimodo, meant to do or say, or what he wished. He was full of fury, and full of fear. The archdeacon and the gipsy struggled for the mastery in his heart.

When he reached the top of the tower, before issuing from the shadow of the stairs and stepping upon the platform, he looked carefully about to see where the priest was. The priest stood with his back to him. There is an open balustrade around the platform of the belfry tower; the priest, whose eyes were riveted upon the city, leaned against that one of the four sides of the railing which overlooks the Pont Notre-Dame.

Quasimodo, stealthily advancing behind him, gazed abroad to see what he was watching so closely.