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The Hunchback of Notre Dame(6)

Author:Victor Hugo

“I tell you, sir, this is the end of the world. The students never were so riotous before; it’s the cursed inventions of the age that are ruining us all,—artillery, bombards, serpentines, and particularly printing, that other German pestilence. No more manuscripts, no more books! Printing is death to bookselling. The end of the world is at hand.”

“So I see by the rage for velvet stuffs,” said the furrier.

At this instant the clock struck twelve.

“Ha!” cried the entire throng with but a single voice.

The students were silent. Then began a great stir; a great moving of feet and heads; a general outbreak of coughing and handkerchiefs; everybody shook himself, arranged himself, raised himself on tiptoe, placed himself to the best advantage. Then came deep silence; every neck was stretched, every mouth was opened wide, every eye was turned towards the marble table. Nothing was to be seen there. The four officers still stood stiff and motionless as four coloured statues. Every eye turned towards the dais reserved for the Flemish ambassadors. The door was still shut and the dais empty. The throng has been waiting since dawn for three things: noon, the Flemish ambassadors, and the mystery. Noon alone arrived punctually.

Really it was too bad.

They waited one, two, three, five minutes, a quarter of an hour; nothing happened. The dais was still deserted, the theater mute. Rage followed in the footsteps of impatience. Angry words passed from mouth to mouth, though still in undertones, to be sure. “The mystery! the mystery!” was the low cry.

Every head was in a ferment. A tempest, as yet but threatening, hung over the multitude. Jehan du Moulin drew forth the first flash.

“The mystery! and to the devil with the Flemish!” he shouted at the top of his voice, writhing and twisting around his capital like a serpent.

The crowd applauded.

“The mystery!” repeated the mob; “and to the devil with all Flanders!”

“We insist on the mystery at once,” continued the student; “or else it’s my advice to hang the Palace bailiff by way of a comedy and morality.”

“Well said,” cried the people; “and let us begin the hanging with his men.”

Loud cheers followed. The four poor devils began to turn pale and to exchange glances. The mob surged towards them, and the frail wooden railing parting them from the multitude bent and swayed beneath the pressure.

It was a critical moment.

“Down with them! Down with them!” was the cry from every side.

At that instant the hangings of the dressing-room, which we have already described, were raised, giving passage to a personage the mere sight of whom suddenly arrested the mob, changing rage to curiosity as if by magic.

“Silence! Silence!”

This person, but little reassured, and trembling in every limb, advanced to the edge of the table, with many bows, which, in proportion as he approached, grew more and more like genuflections. However, peace was gradually restored. There remained only that slight murmur always arising from the silence of a vast multitude.

“Sir citizens,” said he, “and fair citizenesses, we shall have the honor to declaim and perform before his Eminence the Cardinal a very fine morality entitled, ‘The Wise Decision of Mistress Virgin Mary.’ I am to enact Jupiter. His Eminence is at this moment es corting the very honorable ambassadors of his Highness the Duke of Austria, which is just now detained to listen to the speech of the Rector of the University at the Donkeys’ Gate. As soon as the most eminent Cardinal arrives, we will begin.”

It is plain that it required nothing less than the intervention of Jupiter himself to save the poor unfortunate officers of the bailiff. If we had had the good luck to invent this very truthful history, and consequently to be responsible for it to our lady of Criticism, the classic rule, Nec deus intersit,l could not be brought up against us at this point. Moreover, Lord Jupiter’s costume was very handsome, and contributed not a little to calm the mob by attracting its entire attention. Jupiter was clad in a brigandine covered with black velvet, with gilt nails; on his head was a flat cap trimmed with silver-gilt buttons; and had it not been for the paint and the big beard which covered each a half of his face, had it not been for the roll of gilded cardboard, sprinkled with spangles and all bristling with shreds of tinsel, which he carried in his hand, and in which experienced eyes readily recognized the thunder, had it not been for his flesh-colored feet bound with ribbons in Greek fashion, he might have sustained a comparison for his severity of bearing with any Breton archer in the Duke of Berry’s regiment.

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