The It Girl by Ruth Ware
To Meriel, the best kind of best friend
BEFORE
Afterwards, it was the door she would remember. It was open, she kept saying to the police. I should have known something was wrong.
She could have retraced every step of the walk back from the Hall: the gravel crunching beneath her feet of the path across Old Quad, under the Cherwell Arch, then the illegal shortcut through the darkness of the Fellows’ Garden, her feet light on the dew-soaked forbidden lawn. Oxford didn’t need KEEP OFF THE GRASS signs; that lawn had been the preserve of dons and fellows for more than two hundred years without needing to remind undergraduates of the fact.
Next, past the Master’s lodgings and along the path that skirted round the New Quad （close on four hundred years old, but still a hundred years younger than the Old Quad）。
Then up staircase VII, four flights of worn stone steps, right up to the top, where she and April slept, on the left-hand side of the landing, opposite Dr. Myers’s rooms.
Dr. Myers’s door was closed, as it always was. But the other door, her door, was open. That was the last thing she remembered. She should have known something was wrong.
But she suspected nothing at all.
She knew what happened next only from what the others told her. Her screams. Hugh following her up the stairs, two at a time. April’s limp body sprawled across the hearth rug in front of the fire, almost theatrically, in the photos she was shown afterwards.
But she could not remember it herself. It was as if her brain had blocked it out, shut down, like a memory glitch on a computer: file corrupted—and no amount of patient questioning from the police ever brought her closer to that actual moment of recognition.
Only sometimes, in the middle of the night, she wakes up with a picture in front of her eyes, a picture different from the grainy Polaroids of the police photographer, with their careful evidence markers and harsh floodlit lighting. In this picture the lamps are dim, and April’s cheeks are still flushed with the last glimpse of life. And she sees herself running across the room, tripping over the rug to fall on her knees beside April’s body, and then she hears the screams.
She is never sure if that picture is a memory or a nightmare—or perhaps a mix of both.
But whatever the truth, April is gone.
AFTER
“Seventeen pounds, ninety-eight pence,” Hannah says to the woman standing in front of her, who nods without really paying attention and pushes her credit card across the counter. “Contactless okay?”
The woman doesn’t answer immediately; she’s trying to get her four-year-old to stop playing with the erasers in the stationery display, but when Hannah repeats the question she says, “Oh, sure.”
Hannah holds the card against the machine until it beeps, and then hands the books across the counter along with the receipt. The Gruffalo, The New Baby, and There’s a House Inside My Mummy. Baby brother or sister on the way? She catches the eye of the little girl playing with the stationery and gives her a conspiratorial smile. The girl stops in her tracks, and then all of a sudden, she smiles back. Hannah wants to ask her her name, but is aware that might be overstepping the line.
Instead she turns back to the customer.
“Would you like a bag? Or we have these gorgeous totes for two pounds.” She gestures behind the counter at the stack of canvas bags, each stenciled with the pretty Tall Tales logo—a teetering stack of books spelling out the shop’s name.
“No thanks,” the woman says shortly. She stuffs the books into her shoulder bag, and, grabbing her daughter’s hand, she pulls her out of the shop. A penguin-shaped eraser tumbles to the floor as they go. “Stop it,” Hannah hears her say as they pass through the Victorian glass doors, setting the bell jangling. “I have had just about enough of you today.”
Hannah watches them disappear up the street, the little girl wailing now, hanging from her mother’s grip, and her hand goes to her belly. Just the shape of it is reassuring—hard and round and strangely alien, like she’s swallowed a football.
The books in the parenting section use food metaphors. A peanut. A plum. A lemon. This is like The Very Hungry Caterpillar of parenting, Will said, mystified, when he read the first trimester chapter. This week’s was a mango, if she remembers right. Or maybe a pomegranate. Will brought her an avocado when she got to sixteen weeks, as a kind of jokey present to mark the milestone, bringing it up to her in bed, cut in half with a spoon. Hannah only stared down at it, feeling the morning sickness that was supposed to have stopped, coil and roll in her gut, and then she pushed the plate away and ran to the loo.