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The Love of My Life(18)

Author:Rosie Walsh

I wondered, at first, if they just didn’t want the uncertainty of a presenter with low-grade cancer and a child on the way, but it turned out Emma hadn’t told them about either.

In an act of baffling cruelty, Mags Tenterden dropped Emma from her client list the following week. I think this unspeakable abandonment was the final straw, because, in the months that followed, Emma had one of her longest ever depressive episodes. She went off to spend three whole weeks on the lonely coast of Northumberland, isolated except for my weekend visits. Occasional emails would arrive, strange passages of abstracted prose about the secrets of the ocean, but mostly she was completely closed down, even when I visited. ‘I’m just looking for crabs,’ she’d said, one evening, in her B&B. ‘That’s all I can cope with right now. Just looking for crabs.’

Her normal route out of what I’ve always called her Times involves what she describes as a ‘kickstarter’ stint on medication, but she was too afraid to take antidepressants with a baby on board. On her return to London she told me she was ‘just going to have to tough this one out’。

She had begun to recover by the time Ruby was born, but was then razed by severe postnatal depression. I don’t think she fully came back until Ruby started sleeping through at thirteen months, and the low mood still comes and goes to this day. Her hoarding is certainly getting worse.

None of this appears in the piece I’ve written.

‘I’m sure she’d be flattered,’ I tell Kelvin. ‘But she did explicitly ban me from writing a stock. She doesn’t know I’ve been writing one.’

‘Ah. Well, I’d be happy for you to send some notes to Jonty or Sheila . . .’

‘I’ll send it over to Sheila. Or maybe Jonty,’ I add, remembering Sheila’s unaccountable interest in my wife the other day.

‘Excellent!’ Kelvin looks over his shoulder. The man’s longing for the lesser demands of a quiet computer screen, so I thank him for bringing the matter up discreetly, and let him go.

Emma miscarried twice while we were trying to conceive. When we returned from the hospital the second time I put her to bed and went down to make tea. On my return I found her with tears peeling soundlessly down her cheeks, and John Keats with his kind, canine nose on her old appendix scar.

‘I’m fine,’ she was telling him. ‘Absolutely fine, John, don’t you worry about me.’

Not even the dog is privy to her inner landscape. I’m allowed in, her friend Jill’s allowed in, and that’s it.

For this reason I find myself hesitating before typing up my stock notes to send to Jonty. Even though it goes against everything I know as an obituary writer, I feel a duty to keep my real wife to myself. Why not just give the world the version of Emma they already love? The laughing TV presenter with her windmill gesticulations, the adopter of rescue dogs with names like Frogman and Jesus; the granddaughter of foul-mouthed, chain-smoking Gloria Bigelow, one of the earliest female MPs?

There is more than enough of that Emma to share with the world.

I send Kelvin an email and tell him I’ve decided I’ll write Emma’s stock after all.

*

In the weeks to come I will think back to this afternoon, these last few moments before the world starts to spin at a different angle, and I’ll envy myself this fantasy – this belief that I am one of only two people who knows about Emma’s inner world.

This belief that I know her at all.

Chapter Eight

LEO

Emma has an old friend from university, Jill, whom she meets once a month for dinner. They studied marine biology and lived together in St Andrews, and although their friendship has always seemed slightly off-key to me, Emma’s fiercely loyal to Jill.

I’m seldom invited to their dinners, which is probably for the best because although I like Jill well enough, I don’t really understand her. She’s one of those people who speaks in written sentences, rather than in normal English, and it makes conversation quite difficult – as if you’re in a play for which you haven’t been given a script. I also find her sense of humour to be on the aggressive side of dry, even though Emma seems to find her hilarious.

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