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The Violin Conspiracy(2)

Author:Brendan Slocumb

A voice from the cab: “Hey, buddy, you almost done there?”

Another moment ruined by New York City’s transportation system. Before he could kiss her, before he could even say “Call me when you get in,” she’d jumped into the back seat and the taxi door slammed and he stood there like an idiot as the car moved off into traffic.

But already the day was hammering at him, his taxi had rolled up, trunk popping open, and he was spilling into the back seat with the violin, his anxiety level rising again. He wanted to be through LaGuardia, back in Charlotte. This morning he hadn’t even practiced his music, so now he was itching to pick up his violin, assure himself that he could really make Tchaikovsky’s voice his own.

Only one month left until the competition began: the world’s most prestigious, most difficult classical music competition—judged by the top musicians in the world, as well as an online audience of millions of listeners. Even if he practiced every day, fourteen hours a day, he didn’t think he’d be ready. He resented wasting the time to fly home.

At the airport, he filed into the TSA PreCheck line. Had he only gone through regular security. Why had he been in such a hurry? He should have waited in the long queue. If he’d waited, the screener might have randomly pulled his suitcase aside or asked him to open the violin case. Someone would have noticed or asked; it was security, after all.

Instead he placed the roller bag on the conveyor belt, violin case behind it, and they sailed through the X-ray and he sailed through the body scan, oblivious.

Later, over and over, he replayed in his mind the next two hours: boarding Delta Flight 457, stowing his luggage (the violin case could manspread alone in the overhead bin), returning to Charlotte, home to his little house, the air musty and stale. He lay down on his bed for half an hour, grateful to be back, violin case on the floor next to him, where he always set it. He let the travel wash itself from his skin, into the air, felt himself getting centered. Getting focused, ready to play.

It was just after 2:00 p.m. on May 16 when he kicked himself off the bed. He stood up, took three strides across the room, picked up the violin case, and set it on his bureau.

He flicked open the left clasp, then the right, and the lid lifted back.

His violin was gone.

Inside sat a white tennis shoe: a Converse Chuck Taylor All-Star high-top canvas shoe, men’s, size 10?.

Ray wore a size 12.

Poking out of the shoe’s mouth like an obscene tongue: a sheet of white office paper, folded in thirds.

He unfolded it.

SEND $5M IN BITCOIN FROM BISQ TO WALLET 34U69AAV89872

TRANSFER ON JULY 15 BETWEEN 12:00 PM EST–1:00 PM EST

YOU WILL RECEIVE NO FURTHER COMMUNICATION

Chapter 2

Day 1: Darkness

The next few hours were a blur, and all that he could remember afterward was how he’d repeatedly opened and closed the violin case. Every time he was absolutely certain—absolutely convinced—that if he opened the case one more time, this time—this time—the violin would be there, glowing, its tiger stripes shimmering like flames: because how could it not be there? Instead the obscenity of its empty mouth yawned back at him. Its barrenness was impossible, as if water were no longer wet.

He’d called the Charlotte police and none of it made sense: he was calling to say that the violin was stolen (but of course it wasn’t stolen, it was right in its case where it belonged)。 The house was filled with uniforms and pale faces turning toward him and then they were taking the violin case away from him—how could they take it away from him?—and for moments at a time he forgot how to breathe, as if the air had suddenly become something difficult and foreign. He was talking to New York police and the FBI and then he was on another Delta plane back to New York and it was impossible: because the violin was not on his shoulder and was not within arm’s reach and he couldn’t touch it. Its absence gaped on his back, where the case should have been slung.

The violin’s absence was like nothing he’d ever felt before. He could tell you the exact pressure that he should feel—that he should be feeling—of it against his jaw, knew the flare of its ribs the way he knew the flare of his own. His thumb should rest against its neck right where the wood darkened at the seam. The smooth roundness of its back was lit with orange and gold and brown, but those were words and couldn’t touch the reality of how the pattern rippled and called out to him in a voice that only he could hear. How could anyone say it was just a violin?

When he arrived back at the Saint Jacques, the hotel clerk—the skinny blonde who’d been so rude to him last year, so long ago, that first day—put him up in another suite on the same floor as his and Nicole’s previous suite. The police were in his old room, but they wouldn’t let him in. He wanted to show them exactly where he’d stood, where the violin case had rested, but the crime scene crew was dusting and measuring and keeping him out. It didn’t matter. The room had already been sanitized for the next guest: all the irreplaceable, priceless forensic evidence vacuumed, Windex’ed, bleached away.

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