She’d wanted to find ways to document the poisonous levels of air pollution and its visible effects on the population. In a city of a million and a half people, nearly every home and business burned coal throughout the winter, darkening the sky even in brightest daylight. It was a health crisis as well as an environmental one, and she’d wanted her images to spur people to action. She’d logged countless photographs of children covered in grime as a result of stepping outside to play. She’d caught an amazing black-and-white image of filthy cloth that had been used as drapery for an open window, dramatizing what was happening inside otherwise healthy lungs. She’d also sought out a stark panorama of the city and finally nailed the image she wanted: a brilliant blue sky that suddenly, immediately gave way to a pale, almost sickly yellow haze, as though God himself had drawn a perfectly straight line, dividing the sky in two. The effect was utterly arresting, especially after the hours she’d spent refining it in post.
As she stared at the image in the solace of her office, she knew she would never be able to do something like that again. She would likely never travel for work again; she might never even leave Manhattan, unless she gave in to her parents and returned to Seattle. Nor had anything in Mongolia changed. In addition to the photo essay that she’d contributed to the New Yorker, a number of media outlets, including Scientific American and the Atlantic, had also tried to raise awareness regarding the dangerous levels of pollution in Ulan Bator, but the air, if anything, had grown even worse in the last eleven months. It was, she thought, yet another failure in her life, just like her battle with cancer.
The thoughts shouldn’t have been connected, but in that instant, they were, and all at once she felt tears begin to form. She was dying, she was actually dying, and it dawned on her suddenly that she was about to experience her very last Christmas.
What should she be doing with these last precious weeks? And what did quality of life even mean when it came to the actuality of day-to-day living? She was already sleeping more than ever, but did quality mean getting more sleep to feel better, or less sleep so the days seemed longer? And what about her routines? Should she bother making an appointment to have her teeth cleaned? Should she pay off the minimum balance on her credit cards or go on a spending spree? Because what did it matter? What did anything really matter?
A hundred random thoughts and questions overran her; lost in all of it, she felt herself choke before letting go completely. She didn’t know how long the outburst lasted; time slipped away. When she was finally spent, she stood and swiped at her eyes. Glancing through the one-way window above her desk, she noticed that the gallery floor was empty, and that the front door had been locked. Strangely, she didn’t see Mark, even though the lights were still on. She wondered where he was until she heard a knock at the door. Even his knock was gentle.
She considered making an excuse until the evidence of her breakdown had subsided, but why bother? She’d long since stopped caring about her appearance; she knew she looked awful even at the best of times.
“Come on in,” she said. Pulling a Kleenex from the box on her desk, she blew her nose as Mark stepped through the door.
“Hey,” he said, his voice quiet.
“Hi.”
“Bad time?”
“It’s all right.”
“I thought you might like this,” he said, holding out a to-go cup. “It’s a banana-and-strawberry smoothie with vanilla ice cream. Maybe it’ll help.”
She recognized the label on the cup—the eatery was two doors down from the gallery—and wondered how he’d known how she was feeling. Perhaps he’d divined something when she’d made a beeline for her office, or maybe he’d simply remembered what Trinity had told him.
“Thank you,” she said, taking it.
“Are you okay?”
“I’ve been better.” She took a sip, thankful it was sweet enough to override her messed-up taste buds. “How was it today?”
“Busy, but not as bad as last Friday. We sold eight prints, including a number three of Rush.”
Each of her photographs was limited to twenty-five numbered prints; the lower the number, the higher the price. The photo Mark mentioned had been taken at rush hour in the Tokyo subway, the platform jammed with thousands of men dressed in what seemed to be identical black suits.
“Anything by Trinity?”
“Not today, but I think there’s a good possibility of that in the near future. Jackie Bernstein came in with her consultant earlier.”