“It’s a beautiful night,” he said to all the nobody around him.
And that was when he thought of the woman. Rio.
The wolf in him was called to her, sure as if she knew his soul’s name and spoke it in a pitch only he could hear . . . sure as if she saw deeply into him and forgave him for his sins, his bad breeding, his worse choices since he’d been imprisoned here.
But humans did not read minds. They did not even know that vampires actually existed—and some of those with fangs and a hankering for blood had mated, willingly or not, with wolven. To create sons who were accepted nowhere.
And who ultimately were double-crossed and sent to prison camps run by evil aristocrats, and then, worse, criminal homegrown madmen.
“Fuck,” he muttered.
That female was just a tool to be used in this game he was getting increasingly disinterested in playing. Nothing more.
What the hell was wrong with him.
Turning away from the vista of bare tree limbs and dead leaves on the ground, he pictured what the porch would have been like some ninety years ago, the beds plugged into docking stations as if they were rowboats in danger of drifting off on the current of the wind.
He’d seen the pictures, down in the records room in the basement. He’d read the logs of the dead—or at least flipped through them.
He felt as helpless as those haunted patients had in those old black-and-white photographs, nothing to look forward to, no choices to be had, no future to speak of.
Sick of himself, sick of the place, sick of . . . everything, Lucan took himself back inside. As always, before he could leave the floor, he had to look at the patient room directly across the way. 518.
Unlike the treatment spaces in the front of the building, these back rooms had no access to any porch, just a single window. Same beds, though. No tables or stools, however.
During his perusals of the records room, he’d learned that the back side was where the people who were going to die were moved to. No reason to try the therapy of the air, anymore. Had they known what the shift across the hall meant?
They had to have known.
Just like he’d known when his cousins had come to him with that look in their eyes . . . he’d known they were going to kill him and he had been ready for the fight.
Except instead, they’d framed him for the murder of a vampire so they could get him permanently out of the way without having any blood on their hands.
Cowards. They’d always been cowards.
Lucan walked off to the stairs that ran down the terminal of the wing. After he pulled open the creaky fire door, he jogged the descent, dodging the debris in the stairwell, the empty, faded beer cans, melted candles, and dingy red balls that the humans thought the ghosts of the children would move cluttering the way.
With every step, he thought of that human woman in the alley.
How could she be involved in such a horrible business?
And no, he wasn’t being sexist.
Even an asshole like him wouldn’t have a damn thing to do with drugging if he’d had a choice.
But maybe she didn’t, either. Maybe she was just like him. Trapped.
She was playing a dangerous game, though. It was one thing to be on the supply side, like he was. Distribution on the streets was how people got killed, and she was in the thick of it.
Then again, she’d walked away from being hit by a car like she was Wonder Woman.
Clearly, she was immortal.
Rio came awake with a gasp and a jerk that brought her head up. Before she could focus on where she was, a quick physical inventory commanded her full attention: She had a screaming pain in the back of her skull, a gag was in her mouth, and she couldn’t move her arms or her legs— She was in a chair. She was tied to a straight-backed chair with her hands behind her and her ankles locked in place.
And there was water falling in front of her.
Water? Wait . . . was that a fountain?
As she blinked to get her eyes to work properly, the inconceivable became improbable . . . which then transitioned into the yes-that’sactual: It appeared that there was, in fact, a white marble fountain about five feet in front of all her going-nowhere, and the details were getting clearer by the moment. From its wide basin to the stylized, carved carp in the center that was standing on its tail and arcing water out of its mouth, the fixture seemed like the kind of thing that belonged in a castle or museum.
What do you know, the rest of the room was just as fancy, great lengths of lemon-yellow silk pulled shut over what she guessed were tall, thin windows, the floor a black-and-white chessboard of marble squares, the walls covered with painted murals of pastoral scenes.