PART II
Reclaim
A feather is trimmed, it is trimmed by the light and the bug and the post, it is trimmed by little leaning and by all sorts of mounted reserves and loud volumes. It is surely cohesive.
—GERTRUDE STEIN
Bill Davis
BILL MOVES THROUGH the bleachers with the slow thoroughness of one who’s had a job too long. He slogs along, plods, but not without pride. He immerses himself in his job. He likes to have something to do, to feel useful, even if that work, that job, is currently in maintenance. He is picking up garbage missed by the initial postgame crew. It’s a job for the old guy they can’t fire because he’s been there so long. He knows. But he also knows he means more than that to them. Because don’t they count on him to cover their shifts? Wasn’t he available any day of the week for any shift? Didn’t he know the ins and outs of that coliseum better than anyone? Hadn’t he done almost every single available job over all the years he’d worked there? From security, where he started, all the way to peanut vendor—a job he’d only done once and hated. He tells himself he means more. He tells himself he can tell himself and believe it. But it’s not true. There’s no room here for old people like Bill anymore. Anywhere.
Bill makes an arc like the bill of a hat with his hand and puts it on his forehead to block the sun. He wears light blue latex gloves, holds his trash-grabber in one hand and a clearish-gray garbage bag in the other.
He stops what he’s doing. He thinks he sees something come over the top rim of the stadium. A small thing. An unnatural movement. Definitely not a seagull.
Bill shakes his head, spits on the ground, then steps on the spit, pivots, then squints to try to see what it is up there. His phone vibrates in his pocket. He pulls it out and sees that it’s his girlfriend, Karen; no doubt it’s about her man-boy son, Edwin. Lately she’s been calling all the time about him. Mostly about him needing rides to and from work. Bill can’t stand the way she babies him. Can’t stand the thirty-odd-year-old baby he is. Can’t stand what the youth are allowed to become these days. Coddled babies, all of them, with no trace of skin, no toughness left. There’s something wrong about all of it. Something about the ever-present phone glow on their faces, or the too-fast way they tap their phones, their gender-fluid fashion choices, their hyper-PC gentle way of being while lacking all social graces and old-world manners and politeness. Edwin’s this way too. Tech-savvy, sure, but when it comes to the real cold hard gritty world outside, beyond the screen, without the screen, he’s a baby.
Yes, things look bad these days. Everyone talks like it’s getting better and that just makes it all the worse that it’s still so bad. It’s the same with his own life. Karen tells him to stay positive. But you have to achieve positivity in order to maintain it. He loves her though. All the way. And he tries, he really tries to see it as being okay. It just seems like young people have taken over the place. Even the old people in charge, they’re acting like kids. There’s no more scope, no vision, no depth. We want it now and we want it new. This world is a mean curveball thrown by an overly excited, steroid-fueled kid pitcher, who no more cares about the integrity of the game than he does about the Costa Ricans who painstakingly stitch the balls together by hand.
The field is set up for baseball. The grass is so short it doesn’t move. It is the oak-cork stillness of the center of a baseball. The grass is chalked with straight lines that separate foul and fair, that reach out to the stands and back toward the infield, where the players play the game, where they pitch and swing and steal and tag, where they signal and hit and strike and ball, score runs, where they sweat and wait in the shade of the dugout, just chewing and spitting until all the innings run out. Bill’s phone rings again. This time he answers.
“Karen, what is it, I’m working.”
“I’m so sorry to bother you at work, honey, but Edwin needs to be picked up later. He just can’t. You know. After what happened to him on the bus—”
“You know how I feel about—”
“Bill, please, just do it this time. I’ll have a talk with him later. I’ll let him know he can’t count on you anymore,” Karen says. Count on you anymore. Bill hates the way she can turn it on him with just a few choice words.
“Don’t put it like that. Put it on him. He needs to be able to make it on his own now, he’s—”
“At least he’s got a job now. He’s working. Every day. That’s a lot. For him. Please. I don’t want to discourage him. The goal is to get him out there on his own, remember. And then we can talk about you being able to move in finally,” Karen says, her voice sweet now.