That seems hopeful. The first hopeful thing he’s heard in a while.
“Then I greatly desire your report of me to be a favorable one,” he says, and makes a bow.
Her cheeks are still pink with pleasure when she leaves, departing with light steps. He can see the swish of her tail beneath her skirts.
Oak watches her go before bending down and inspecting his tray— a mushroom pie, a ramekin of jam, an entire steaming teapot with a cup, a glass of melted snow water. Nicer food than usual. And yet he finds he has little appetite for it.
All he can think of is Wren, whom he has every reason to fear and desires anyway. Who may be his enemy and a danger to everyone else he loves.
Oak kicks his hoof against the stone wall of his cage. Then he goes to pour himself a cup of the pine needle tea before it cools. The warmth of the pot on his hands limbers his fingers enough that, had he another fork, he would try that lock again.
That night, he wakes to the sight of a snake crawling down the wall, its black metal body jeweled and glittering. A forked emerald tongue tastes the air at regular intervals, like a metronome.
It startles him badly enough for him to back up against the bars, the iron hot against his shoulders. He has seen creatures like it before, forged by the great smiths of Faerie. Valuable and dangerous.
The paranoid thought comes to him that poison would be one straightforward way to solve the problem of his being held by an enemy of Elfhame. If he were dead, there’d be no reason to pay a ransom.
He doesn’t think his sister would allow it, but there are those who might risk going around her. Grima Mog, the new grand general, would know exactly where to find the prince, having served the Court of Teeth herself. Grima Mog might look forward to the war it would start. And, of course, she answered to Cardan as much as Jude.
Not to mention there was always the possibility that Cardan convinced Jude that Oak was a danger to them both.
“Hello,” he whispers warily to the snake.
It yawns widely enough for him to see silver fangs. The links of its body move, and a ring comes up from its throat, clanging to the floor. He leans down and lifts it. A gold ring with a deep blue stone, scuffed with wear. His ring, a present from his mother on his thirteenth birthday and left behind on his dresser because it no longer fit his finger. Proof that this creature was sent from Elfhame. Proof that he was supposed to trust it.
“Prinss,” it says. “In three daysssss, you mussss be ready for resssss-cue.”
“Rescue?” Not here to poison him, then.
The snake just stares with its cold, glittering eyes.
Many nights, he hoped someone would come for him. Even though he wanted it to be Wren, there were plenty of times he imagined the Bomb blowing a hole in the wall and getting him out.
But now that it’s a real possibility, he’s surprised by how he feels.
“Give me longer,” he says, no matter that it’s ridiculous to negotiate with a metal snake and even more ridiculous to negotiate for his own imprisonment, just in order to get a chance to speak with someone who refuses to see him. “Two more weeks perhaps. A month.”
If he could only talk to Wren, he could explain. Maybe she wouldn’t forgive him, but if she saw he wasn’t her enemy, that would be enough. Even convincing her that she didn’t have to be an enemy to Elfhame would be something.
“Three dayssssss,” it says again. Its enchantment is either too simple to decode his protests or it has been told to ignore them. “Be rehhhhdy.”
Oak slides the ring onto his pinkie finger, watching the snake as it coils its way up the wall. Halfway to the ceiling, he realizes that just because it wasn’t sent to poison him doesn’t mean it wasn’t sent to poison someone.
He jumps onto the bench and grabs for it, catching the end of its tail. With a tug, it comes off the wall, falling against his body and coiling around his forearm.
“Prinsssss,” it hisses. As it opens its mouth to speak, he notes the tiny holes in the points of its silvery fangs.
When it does not strike, Oak pries the snake carefully from around his arm. Then, gripping the end of its tail firmly, he slams it down against the stone bench. Hears the cracking of its delicate mechanical parts. A gem Bies off. So does a piece of metal. He whips it against the bench again.
A sound like the whistle of a teakettle comes from it, and its coils writhe. He brings its body down hard twice more, until it is broken and utterly still.
Oak feels relieved and awful at the same time. Perhaps it was no more alive than one of the ragwort steeds, but it had spoken. It had seemed alive.