Afterward, there were sugar cookies and punch in the bright foyer of the newly remodeled high school. The punch dyed everyone’s lips an unnatural shade of crimson so that we looked like a bunch of discreet cannibals, dabbing our mouths with embossed napkins. The good people of Jericho adhere to a family planning policy of “the more the merrier,” so several of my classmates’ much younger siblings were running around the room, making an unholy ruckus.
Shedding my robe when it was all over felt monumental somehow; this wasn’t just my graduation, the end of my time at the mercy of the backwater Jericho school system. No, this is the beginning of everything, a rebirth of sorts. I’m gone, baby, gone. Or I will be in twelve weeks and three days, when I pack everything I own into my little black car, drive away to the University of Iowa, and never look back. Iowa City is merely a stepping-stone, a launch pad to bigger and better things. Maybe I’ll do a semester in England, a leap year in Spain or Thailand. Maybe I’ll nab a prestigious internship in our nation’s capital, where I’ll learn how to right the wrongs in the world from the inside. I could pursue a career in political science, art history, nursing, or architecture. I could wander the earth.
My mom never presses me about what exactly I plan to study in college, but Lawrence doesn’t miss a chance to make me feel like a failure for not having it all mapped out. He believes it’s his fatherly duty to be on my case. But to me he’s less of a father figure and more of just… Law. “Lawrence” to Mom, “Dad” to Jonathan, and I avoid calling him much of anything at all. His well-rehearsed “A goal without a plan is a wish” speech falls on deaf ears.
Yet, if Lawrence saw me drunk last night, ponytail askew and reeking of booze, I’m a dead girl walking. No matter that I’m almost nineteen years old and weeks away from freedom. Never mind that I have never, not ever, done anything like this before.
I push myself off the floor and squint at the clock on my nightstand. 7:24. At least it’s not noon. I wonder what time I got in, when the after-party dissolved and the eleven of us disbanded to sleep off unfamiliar hangovers. I hope my friends all made it home okay.
My bed is mussed up, sheets whipped into a twist that makes me believe I at least started out there. It looks so inviting, I crawl right back in, clothes and all, to try again. I can ignore the cello, my mother’s passionate rendition of a new song I do not recognize. Sometimes she writes her own stuff, and this piece is building to an intense, bitter crescendo that will be hard to tune out. But before I can bury my face in the pillow, there is a furious rapping at my door.
“June? Hey, June, you up?”
“No,” I call, my voice scratchy from bonfire smoke and laughter. I remember that now: laughing and laughing and laughing. I have no idea what we were laughing about.
“Are you decent?”
“No.”
I hear the handle jiggle anyway. It is an antique glass knob that needs WD-40 and a few hard turns of a screwdriver. I know exactly how to fix it, but I don’t because you can hear someone open my door from almost anywhere in the house. It’s an alarm system of sorts. Not that anyone is in the habit of sneaking into my room. Who would? Lawrence avoids anything that bears even a hint of femininity, Mom is welcome with impunity, and Jonathan knows to knock. I bolt upright at the sound of him breaking this unwritten rule and am rewarded with what feels like a blow to the head. He finds me with the heels of both my hands pressed against my temples.
“That bad?” Jonathan says. I can hear the smirk in his voice.
“Worse. Was this your doing?”
“Pretty sure you swallowed all on your own.”
I chance a peek and find my brother lounging against the doorframe, looking smug. He’s obviously enjoying this.
“How did we get home?” I ask, closing my eyes again. The light glaring off my polished floorboards is too much.
“I drove.”
“You were sober?”
“Of course.” As if it’s a given. Sobriety is never a given with Jonathan.
“How’d I get up here?”
“I dragged your ass. That’s how.”
I sigh. “Does Lawrence know?”
“No. He was out cold.”
“Mom?”
When Jonathan doesn’t answer, I look up to find him staring at me, one eyebrow cocked in that jaunty way that makes all the girls in Jericho and several neighboring towns catch their breath.
“Yeah,” I say. “I know.” It’s impossible not to know. Mom’s music is a far better indicator of her mood than the words she says or the look on her face. While you can still glimpse remnants of her storied hippie past—her penchant for bare feet, bangles, dresses that shift like shadows around her tall, slender frame—these days Rebecca Baker is buttoned up tight. It’s hard to get a genuine emotion out of her, except for when she is playing her cello.