I need to speak to him.
I put on my favourite one of the dresses he bought for me—a little red-and-blue tartan dress that sits just above my knees and has a big white Claudine collar.
I don’t wear shoes because I only have the boots, and actually, since being here, I’ve decided I don’t much care for footwear anyway.
I think I don’t? Is that a me thing or a Peter thing?
He bleeds into your thinking a bit.
After about ten minutes of giving Peter what I think is enough time to have cleared the area, I take off for town. Quick as I can.
It’s barely past lunch, the sun is out and bright, and the day feels promising. There’s a blueness to the sky that I shouldn’t have trusted, and I don’t feel a lick of wind.
I make my way towards Jamison’s boat, finding a couple of men on it, scrubbing and cleaning.
Orson Calhoun’s standing on the bridge, bossing them around and commentating on how well they are （or are not） doing.
I stand there till he sees me, and then I wave uncomfortably.
“Hello,” I call to him.
He nods his chin at me, walking down towards me. “You again.”
I nod my chin towards Jamison’s cabin. “Is he in there?”
Calhoun shakes his head, squinting.
“Oh.” I frown. “Do you know where he is?”
Orson nods suspiciously.
“Hey!” says a familiar voice, and I spin around.
“Rye!” I look over at him, surprised.
“Daph!” He smiles, eyebrows up. “There you are!”
“Were you looking for me?” I go over and give him a hug.
“Yeah, of course.” He nods. “Just wanted to see how you are.”
I pull a curious face. “How did you know I was here?”
“Oh, saw you on your way over.”
“Oh.” I nod.
“She’s looking for Jam,” Orson tells him.
Rye rolls his eyes. “Course she is.”
“He’s at the Dirty Bird,” Calhoun tells us both.
Rye pulls a face. “It’s two in the afternoon.”
Orson shrugs and I look between them, confused.
“What’s the Dirty Bird?”
“Have ye ever been so drunk that ye fall asleep under the table at a pub and ye wake up with peanuts on yer face and just one shoe?” Orson offers.
I shake my head, flicking my eyes between them. “No.”
Orson shrugs. “Well, that’s the Dirty Bird.”
Orson leads us there, and on the way, Rye bends down and whispers in my ear, “Are you sure you want to go there?”
I roll my eyes at him. “It’s a bar, Rye.”
“Here, it’s a tavern.” He gives me a look. “And it won’t be like anything you’ve been to before.” He looks me up and down before he pushes a dark, heavy door open.
He’s right.
It’s dark, windows all boarded up. It’s lit by candles—candles everywhere, actually, the floor, the tables, the wall—and the wax from them is pooling everywhere. Aside from the wax, the floor （I think） is made exclusively of peanut shells. It’s filthy. It’s the back end of human civilisation. This is where the plague started, I’m sure of it. Which plague? Oh, just all of them, probably.
It’s all shadows and shady people, women with theatre makeup on and men with busy hands.
It’s not the kind of place you want to find the person you like to tug on your coat.
I spot him quickly—a bit because he sticks out here, as though there’s a spotlight on him, partially because everything here is so ugly and he’s so magnanimous, but also because…just because. Your eyes drift in a room, you know? Mine drift to him.
It is worse than I expected. Before I even reach him, I know that to be true. He’s with two girls. One of them’s Morrigan,* and the other has raven-dark hair. There are empty pints tipped all around them, and the girls are laughing, fawning, touching all over him. And then right as I look over, he claps the arm of the bartender merrily, who hands him a dark-green bottle. Morrigan leans over and bites down on the cork, pulling it out and grinning up at Jamison mischievously.
My mouth goes dry, and I instantly feel a tiny bit sick.
Rye nudges me. “Let’s go,” he whispers.
I shake my head.
“Daph—” Rye calls for me, but I’m already walking on over. I stand directly in front of Jamison, hands crossed over my chest.
“Wow.” I eye him up and down.
Jamison looks over at me, completely unfazed. “Are ye talking to me?”