Relief floods through me for a few blissful seconds, then recedes almost as quickly as it came. Because that still doesn’t explain why Boney…or whoever that was…was there.
But I can’t ask that via text. I need to talk to you, I write back. Now. In person. She doesn’t respond right away, and I add, It’s urgent.
“Cal,” Mateo says. When I look up, he’s still wearing that I’m going to x-ray your brain look. “Are you texting her?”
“Yeah. She says she wasn’t there.” I know that’s not enough to stop further questions I can’t answer yet, so I stare around the bar for some kind of distraction. There’s a large, wall-mounted television to our left, and I point to it. “Hey, can we turn that on?” I ask. “Maybe whatever happened back there made the news.”
Mateo gives me a look that says This discussion isn’t over—also inherited from his mother—but gets to his feet. “Yeah, I guess. Check your phone, too.” He crosses over to the bar, reaching into the wooden cubby behind it to pull out a remote. I’m too nervous to navigate to Boston.com while he fires up the television, though. Somehow, it feels better to wait for information to hit me than to go looking for it.
The screen bursts to life with the volume way too loud, and we both wince until Mateo lowers it. It’s on the local sports channel, so Mateo clicks until he lands on a guy in a shirt and tie with the words Breaking News scrolling beneath him in red. “He’s in front of the art studios,” Mateo says, returning to our table with his eyes glued to the screen.
My heart plummets. Somehow, seeing the building on television makes this nightmare scenario much more real. “Shit. Do you think—”
“Shhh,” Mateo says, raising the volume back up a notch.
“…police are actively looking for information related to a tip that both they, and producers here at The Hawkins Report, received shortly before the body of an unidentified young man was discovered in this very building,” the reporter says.
Oh God. The body.
The words hit me like a punch to the gut. Ever since we left Lara’s studio, I’ve been telling myself that we can’t be sure what we saw. Maybe that guy was just passed out, or sleeping. Playing a joke. None of those possibilities made much sense, but I clung to them anyway. “So that means…if we saw…if the body was…” My throat closes on Boney’s name, refusing to give it up.
“Unidentified,” Mateo says quickly. But not like the word brings him any real comfort.
The reporter levels his gaze at the camera. “This anonymous source stated that they became concerned after seeing a young, blond woman inject the man with a syringe, after which he immediately became unresponsive,” he continues. “The building, which is not currently occupied, does not have security cameras enabled, so the public is being asked to call with any information related to a blond woman, described as attractive and possibly in her early twenties, who may have been in the area during this time.”
Two things happen at once. Mateo pauses the television, freezing the reporter’s face on-screen, and there’s a sudden gasp to my right. When I turn, Ivy is sitting straight up, her hand on her chest and her pale ponytail spilling over one shoulder. She stares at me, then at Mateo, then down at the booth she’s been passed out in since we got here.
“What. Is. Happening?” she demands.
IVY
At first, I have no idea where we are. I don’t remember anything, except leaving school this morning with Cal and Mateo. Both of them are staring at me like I just sprouted a second head—which would be unfortunate, since the first one is pounding painfully.
And then, with a sickening rush, I remember everything.
“Oh my God.” I jump to my feet, my heart in my throat. “What did we…why are we…where are we?” I gaze around wildly until my eyes land on a wall full of fluorescent beer signs. I’m pretty sure I’d remember those if I’d ever been here before. “What is this place?”
“Sit down before you pass out again. I’ll get you some water,” Mateo says.
I start to protest that I’m fine, but I’m already swaying with too much residual wooziness to pull it off. I collapse back into the bench behind me as Mateo heads toward some kind of counter. A bar, I realize when he lifts one side. We’re in a bar. One where Mateo is moving around with familiar ease. “Is this Garrett’s?” I ask.
Cal, who’s been sitting silently all this time, gives me a small, crooked smile. “Well, your brain’s still working. That’s good news. Do you remember why you fainted?”